She told me that her goal was to find more time to read. That life had been busy and so reading had gotten lost. That while she liked it, sometimes, there just wasn’t enough time in the day. That while she liked that book, sometimes, she didn’t bring it home because there wouldn’t be time. That while she knew she should read outside of class, sometimes she just didn’t have the time, after all, there was so much else to do. And she wondered how I read so many books, how I found the time, despite it all. And I only had one answer to give…
I don’t find the time. I make the time. I make the time to read the books so I can speak books with the people in my care. I make the time to read outside of my known, outside of the known of my students so I can bring the stories in that we maybe didn’t even know we needed. I make the time because I see the value, I live the value so that perhaps through our shared dedication, through our conviction, our students who have not (yet) found the value will.
We make the time to find the stories that will light up a new understanding. That will entrance. That will captivate. That will spark, even if only for a moment. That have just entered the world and now need to enter ours.
We make the time because if we don’t then we can tell students to read until we are blue in the face and they will know that we don’t really mean it. After all, how can we say we value it if we don’t give the gift to ourselves?
We make the time so we can speak books, develop a shared language wrapped up in our shared experiences, colored by the rollercoaster tracks of the stories we surround ourselves with.
And we question the books we love to make sure that our love is warranted. And we question the books we dislike to question whether our dislike is misplaced. And we keep an open mind so that all stories, because our kids are our stories, feel safe and valued and accepted no matter the differences we all bring into our community. No matter the sameness we bring into our community.
Because as we all know, or at least we should, the days we have lived will never come back. The moments we have spent will never trigger more. No person in human history has ever found more time. We all live by the same 24 hours, the same 86,400 seconds. We all live by the busy, the to-do and the get-done’s. By the push and pull of a life we say we control and yet at times feel such little control over.
But the time we make.
The time we take.
That’s what matters when we share this community with our students. When we wind ourselves up in stories. When we hand a child a book we loved too. When we hand a child a book we cannot wait to read. When we hold up a new story that has somehow become a part of who we are. When we admit that last night, even though I wanted to, I just didn’t read, because last night I chose to give my time to something else, but tonight! Tonight I will read because I want to. Because I choose to.
So we make the time and we urge our students to do the same. Our colleagues to do the same. Our own kids to do the same. So that this life, one that is already rich with story, becomes a life where quiet moments of great imagination are not the exception but instead the reality we choose to live on our own.
So we read so we can grow so we can share so we can learn.
And we tell all of our children, even the ones that do not belong to us, that stories are the threads of humanity and so we must take the time to read them. We must take the time to live broader in the ways that only stories can provide us, because that is the reward we can give ourselves day after day. That is the reward we can give others.
You may have noticed that this blog is slowing down a bit, while life continue to churn, I am slowly starting to work on a new book potentially. This means that there may be less brand-new writing on here and instead a mix of from the archives and new. The wonderful thing with continuing to be a teacher is that our teaching, hopefully, evolves as does our understanding of the work we do. With that I present to you a reworking of an older postfrom 2015.
I met my first book abandoner my very first year of teaching. Yet, he was not your average run of the mill book abandoner. No, he was the “look you straight in the eye and ask you what you are going to do about it” kind of abandoner. So I did what I knew best; forced him to read the book and not allow him to abandon it. And he did what he knew best; fake read for a good amount of time, skimmed a few pages, and failed the book report as well as the presentation. Repeat with every book. I don’t think he ever read anything beside “Diary of A Wimpy Kid” that year, and that was to spite me more than anything as I forced him into my choice of book time and time again. because I figured that when he couldn’t pick a book it was up to me to do it. When he couldn’t pick a book it was up to me to create accountability.
Everyone has these types of readers. The ones that abandon book after book because they hate to read, always have, always will. The ones that abandon book after book because they cannot find a great book, or perhaps they found one once, or perhaps they never have. The ones that abandon book after book because they get bored easily and while a book may have started great, now it is just meh. Some years we have a lot, others not so many.
Often for every child that abandons a book, there is a conversation missing, one that we need to engage them in in order to break the cycle. One that centers on one of the true goals of reading which is that the children we teach should be able to leave us being able to find a book that they are wanting to try on their own, without relying on artificial supports such as their level, their Lexile, or their teacher because they inherently know themselves better as readers.
This conversation takes time, it takes patience, and it takes diving into all of the many components that centers around the giving up a book. While often it may be seen as a rash decision made from an overall disinterest in reading, one that we dismiss when we hand a child another book to try, it is important that we dive into the nuances surrounding book abandonment in order for a child to know themselves more every time they abandon one. Make the act of abandonment one of internal reflection so that it no longer becomes automatic but instead becomes a choice that they can use to further investigate who they are as a reader.
This, therefore, means that there are questions we should be asking of our programming as well as the children that choose to leave yet another failed read in their wake. These questions shape the future decisions they make as well as their overall journey into their own reading identity.
Do they have choice? Because if they don’t, then that is the very first place we start. And not limited choice based on levels, Lexiles, or AR scores, but real honest-to-goodness choice where they get to pick their reading materials out of all the reading materials we have. This includes choosing the format and how to access it. Even as they abandon book after book, that choice needs to be protected at all costs, because while we may think that limiting choice will help them in the short-term, that’s exactly the problem with this approach, it helps in the short-term but does not push them further in their own understanding of book selection that works. So even when it seems like the list of abandoned books is too long to bear, let them continue to choose as there are other perimeters to consider.
Do they have time to actually book shop? Often we ask kids to quickly select a book and then wonder why they seem to not be invested in the choice they make, yet, if we study our own adult reading habits we know that leisurely browsing through selections is a pillar of how we choose books. So what are the time constraint placed on students? Do they have time to look through books, try a few pages, sit with a book for a while before they fully commit? Do they have time to speak to their peers about potential titles? Book shopping should be a social endeavor not one done in solitude if they don’t want to, so what are the conversations that need to happen as they browse?
Do they have time to read? If little time is given to reading then we are expecting them to do something they may not like only outside of school. That is foolish and also malpractice when it comes to the use of our time. Every child, every day, should be engaged in supported independent reading. So when can they read in class and try on the book? When can they be under the guidance of a trained adult that can help them navigate difficult concepts or words?
Do they have access? We know that students need great books in their hands. We know students need great libraries coupled with a librarian, but they also need books in our classrooms. And not old, worn out books, but new, enticing, high-interest books that they can check out easily. So when are they surrounded by books to choose from, what are those choices? Can they check the books out and bring them home or do they have to be kept in class? Yes, I lose books every year, but it is worth it to me if it helps a child read.
Are they overwhelmed? One student I taught told me 6 months into the year that our classroom library was simply overwhelming to browse in. That he didn’t know where to start despite my labels and bins. It took that long for him to tell me because he didn’t trust me with the information, afraid that I would think it silly or stupid, and yet, I didn’t think anything like that. What a way to know oneself! Once he had told me, we were able to create a way for him to browse specific sections of the library that he liked and able to pull out books from large stacks that I would pull for him. As he gradually got more comfortable, I was able to pull back my support.
Do they see themselves in the books? We discuss students needing windows, mirrors, and sliding glass doors in their reading lives as crafted by Dr. Rudine Simms Bishop, but do we also evaluate the stories we have? Are we making sure that we are not just crafting a new cannon of sorts that continues to misrepresent marginalized populations or only share one aspect of someone’s journey? What reading choices are the students surrounded by? Is it culturally responsive such as how Dr. Gloria Ladson-Billings discusses? Will it further a perhaps damaging narrative that they already have about others, or will it break down misconceptions, stereotypes, and harmful thinking?
Do they have people? Is it cool to not be a reader in their friend group? Who do they have to talk books to? Do they have reading role models that extend beyond the teacher? Who are the people that have similar tastes as them, that they can speak books with? Many of my students tell me that they don’t have many others to get recommendations from despite being in book-rich environments for years and teachers working specifically on this. So how else can we increase the natural book conversations, students are having in order for them to make connections with the reading tastes of others? I often invite kids to book shop together so that they can find books together, we also use book talks for this as students discover others with similar tastes as them. Also, who are the adults that can speak books to them? It should never be just the classroom teacher, invite your librarian in, create a rich reading community so that students can see many readers int heir day, and many opportunities to speak books.
Do they have reason to read? And by that, I don’t mean because of a prize or a reward. Do they see any kind of gain from reading? Is anything positive connected to the art of reading? Will it actually make their lives better or is it just one more thing to do? Many of my students who abandon books repeatedly do it because they see no point and until we start to help them see a point of reading that goes beyond “the adults make me do it” then it is going to be hard to break any kind of habits. So how can we stress the importance of reading, what is it they want to accomplish in their lives where reading plays a central role? Is is that they want to understand others? Understand the world? Or is it much smaller than that?
Do they have different ways to read? Reading is not just done with our eyes but also with our ears, so if a child is constantly abandoning books get them hooked on an incredible audio book. This has changed the reading path of several of my students in a profound way. Sometimes getting them into text is what makes a difference, especially if they would like to read a book that may be difficult for them to decode independently, why not use audio books as a way to help them become invested in a text? Then we can work on the decoding separately.
Are they hiding gaps? I have taught several students that could ace their reading assessment, mostly because it had been given to them so many times, and yet had a large gap in their skills. So is their book abandonment masking a larger problem such as not actually understanding what they are reading or not having developed the stamina to stay with the story? Is reading seen as something emotionally draining because it is incredibly difficult? We cannot dismiss the emotions that are attached with reading for many kids, especially our vulnerable readers, and so we must work on developing their understanding of themselves as readers along with the skills of reading. This requires trust.
Are we making them do things that kill their love of reading? When students abandon books a lot, it is a sure sign that we need to reflect on our own practices. And not just skim over that reflection and pretend that everything must be ok. Are reading logs killing their love of reading? Are programs liked Accelerated Reader or LLI? Are we constantly asking them to do things with their reading rather than “just” read? What else is attached to our reading that may make a child abandon rather than finish a book?
Have we asked them? This is the biggest component needed because too often we try to figure out why a child is abandoning books and we never ask them why. Not beyond the “What didn’t you like about it?” So instead we must give the students a chance to discuss or reflect and really start to study their own habits. What patterns do they see? What types of books might they like to read? What can they do to change their habits? Students need to feel empowered in their self-reflection because otherwise, their pattern won’t change. They also need to set goals and then be able to honestly assess their own progress. This is part of the much larger work that must be centered in who they are as readers and how they want to take control of their reading identity.
Do they trust you? Trust is often something that is taken for granted in our classrooms, as if by simply being together, we build trust, and yet that is not true. Often we have to work hard to earn the trust of students, particularly those whose school experiences have not been safe or those whose lives are different than the ones we lead. Trust takes many things; choosing to be vulnerable, creating a calm and safe space, acknowledging our own limitations as a teacher and adult, recognizing our own limited experience of the world, and also being genuinely invested in the success of every child no matter where they are in their journey. We earn trust, plain and simple, and we do it by showing up, asking questions, actively listening, and passing no judgment. By investing into the lives of each child, by partnering with those at home, and by removing shame as a tool in our learning environments. By expanding our tools as a teacher, and more importantly our knowledge so that we can do better. Often students tell me much later in the year why they really hate reading or why they abandon book after book but it takes time for them to feel that I deserve the truth. Sometimes they are not sure why until much later. Until they do, I engage them in conversation both planned in our reading conferences and casual, I congratulate them on the accomplishments they do have, and I continue to provide them with the tools I can think of to help them be successful. It takes time, it takes patience, and it takes trusting your students even if they don’t trust you.
Abandoning books is often seen as an irritating habit that we must break quickly at all costs when it comes to students, but what if it instead is viewed as a starting point for a deep and nuanced exploration into the reading journey that a child is on? Think of the conversations we can have.
Three years ago, I wrote a blog post detailing my journey with the book When We Was Fierce and in particular the journey with realizing that a book I had marveled at and called a must read was being critically reviewed by others. While at first I was embarrassed by my enthusiasm and not knowing better, in the blog post I wrote about the growth I had when I put away my own embarrassment and instead approached the moment as a learning opportunity, simply put; when I knew better, I could do better. It is a journey I have tried to continue on ever since.
Since that post, I have tried to be more in tune with critical reviews. I have tried to read new or old books that come my way with a broader lens trying to step out of my own lived experience to discover how others may view a book. How others may be potentially harmed by a book. How others may have world view shaped in a an inaccurate manner because of a book. While the voice in my head has gotten better at alerting me to potentially problematic texts, it is far from perfect and it is a journey I continue to be on.
I share this because this week I published my best books of the year so far list, a list I try to carefully put together in order to help others find books that may heighten their reading experiences. It is also a list for myself to look back upon as I celebrate the incredible works put out in the world that have deepened my own children’s’ reading lives as well as my teaching experience. This morning, I woke to a tweet sent to me by a colleague highlighting a potentially problematic book on the list.
My response: Thank you, I will definitely look into it. Which I did.
Dr. Laura M. Jimenez (@BookToss) had written a great post detailing problematic aspects of the book Stonewall: A Building, An Uprising, A Revolution by Rob Sanders and Jamey Christoph. This book was on my best of the year so far list and a book I had really enjoyed, even contemplating how I could use it as part of our upcoming historical research unit where we will write from the perspective of an object. While I had read the book and the voice inside my head had noticed how there didn’t seem to be a broad acknowledgement of the trans community, I had put aside my concern rather than followed up on it, despite having also read the book The Stonewall Riots: Coming Out in the Streets by Gayle E. Pitman that had explicitly discussed the broad community anger and how this went past the mostly gay men present in the inn on the first night of the riots. Dr. Jimenez discussed those concerns and then some in her blog post, and also received a reply from the author, Rob Sanders, which I really think you should read.
After reading the blog post, the concerns with the book were crystal clear so I pondered why I had I put aside my concerns? The answer? Because I really liked the book AND also because of my lack of knowledge. While I had a minor concern, I didn’t follow up on it and instead chose to highlight the book because I thought that it would be great for others to read. End of story.
And this is what I want to write a little bit about, because those two things, dismissing our concerns and not knowing better, are exactly why I think many, especially white, educators keep problematic books in classrooms and home collections year after year. I know the emotional attachment is what makes me sometimes try to mentally finagle a way to be okay with a book in our collection that may do potential harm. Even though I know better. Even though I end up not placing it in our library because I know better. But how often do we, and especially us white educators who live within the dominant lens, simply not know better? Or how often do we dismiss the criticisms because we somehow think that having the book will surely alert students to their own concerns and then be able to navigate potential problems within it?
But here’s the thing, if I, as a 39 -year old educator who has taught for nearly 12 years and reads hundreds of books, as well as reviews of books, and critical discussions of books every year cannot figure out on my own that a book is problematic, then how can I expect my students to do so?
Because they won’t, not unless we teach it, not unless we discuss our own mistakes when it comes to reading and highlighting problematic texts. This is why I use the book The Secret Project by Jonah and Jeanette Winters in my classroom. While I had the book at first because I loved it and had already read it aloud to my classroom, after I read Dr. Deb Reese’s post on the problems with it, I re-visited the book with students and we discussed why we had not ourselves caught these problems with the text and instead taken it at face-value. It led to a larger discussion on what else we miss when we don’t know more, or the blind spots we all walk around with and how to shrink them.
This is why we must do better when it comes to vetting our own collections and also being okay with admitting it out loud. I know that there are a lot of emotions attached to books and their creators. I know I don’t want to hurt other people when I distance myself from their work. I know that many educators, me included, like to think that I know enough to carefully select books that will not present problematic, inaccurate, or full on harmful stories to my students, but that is simply not right. Even though I have grown and gotten better, I have so much to learn still. I will, probably despite my best intentions, continue to embrace books that because of my own lens, my limited perspective, I cannot see the problems in until others point it out.
So what can we do when we realize either through our own investigation that a book is problematic or when someone else points out harmful representation or stories?
Say thank you when someone points it out. We cannot grow if we don’t know what we need to do better on. That is why recognizing when someone offers you an opportunity to grow and acknowledging it as an opportunity to grow rather than getting defensive is always the best way.
Get over our own feelings. Is it embarrassing to screw up? Absolutely. Would I rather do well? Sure. Do I learn from these interactions? Every time. However, when our response is one of incredulity or dismissal we are not really growing, we are certainly not focusing our energy on what we should be focusing on, which is the conversation surrounding the text or illustrations rather than our own feelings. (I am listening to White Fragility by Robin DiAngelo and this is part of what she discusses).
Read the criticism, seek to understand it, and ask questions. I always read or listen to what is being said and then try to find other voices who are discussing it as well. If I am not sure why something is being discussed the way it is, then I ask questions. That is why I love being connected to others because social media gives me a quick way to reach out.
Take action outwardly. Whether it is publicly acknowledging your screw up if you have recommended it, or spreading the word by amplifying the discussion happening, do your part. It is often isolating to be someone pointing out critical aspects so knowing that there are others who will back up your words and calls to action is powerful.
Transfer the knowledge. Teach this critical skill to students by also connecting them with book reviews blogs so that they can be adults who have access to information, so that they can notice their blind spots, and also try to see whether a book may be harmful or not. Make it a part of your already embedded curriculum units so that it is not a stand-alone lesson but instead one that is addressed in many different ways. After all, isn’t teaching critical analysis one of our main teaching goals?
Take actions personally. Remove the book altogether or use it to discuss blind spots like I have done with a few books, but do something, rather than just push it aside because “no one will know that you still have the book.” While that may be true, this is also an incredibly twisted way of looking at the process. While it feels very strange to throw books in the garbage, almost sacrilegious, yet sometimes, that is where certain books belong. Don’t just say you will do something, actually do it.
Try to do better in the future. While I definitely catch more problematic books before I recommend them than I have in the past; as evidenced by this post I still have a lot to learn. All of us do. But the good news is that through social media we can easily learn from others as long as we are willing.
So what did I end up doing with Stonewall the book that started this whole blog post? I removed it from my best books of the year so far list and with the encouragement of Dr. Jimenez wrote this blog post to make my thinking visible. While I love the missing parts of history that the book represents, I cannot use it as an actual representation of what happened that night, there is too much missing.
And that is where I start my summer vacation. Knowing that I have so much to still learn about others and from others. Not a bad way to start my summer as I try to grow as a person and as an educator. I now know better, so hopefully I can do better. Can’t we all?
One of the most common questions, I receive in regard to the Global Read Aloud is how, and whether, it integrates into a pre-existing literacy curriculum. Is this project merely a fun add-on or is there actual academic value in it that can be defended in case it needs to be?
While there would be little wrong with the program if it was “just” a fun add-on, the answer is that; yes, the Global Read Aloud has academic value, and not just for the students, but for the teachers themselves as well. So let’s break it down a bit.
Because the program centers around a read aloud, that means you have a mentor text. Many participants use the text as their central text while they work through lessons on story development and analysis. However, that is not all it is. The driving idea behind the project is to connect with others and the way that is accomplished is often through writing or speaking. This then adds another layer of meaning to the project because it allows us to center our teaching on not just text exploration and discussion, but idea creation and sharing with others. For the sake of ease, let’s dive into the Common Core Reading standards for a moment as most are covered through the GRA.
“Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.” Because the text is not only read aloud but also discussed with a worldwide audience, students are not only expected to understand the text but also be able to infer and formulate their opinions about the text in a way to effectively communicate with others.
“Determine central ideas or themes of a text and analyze their development; summarize the key supporting details and ideas.” The whole notion of the read aloud is to understand the story, to predict what will happen, to discuss and share with others, and be able to hold the whole text in your mind while you continue to listen to the read aloud.
“Analyze how and why individuals, events, or ideas develop and interact over the course of a text.” Tracking the characters along with the story allows us to work on stamina, to work on long-term predictions, and to get to know the characters and story on a deeper level.
“Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.” In order to convey nuance, the read aloud often lends itself well to studying the craft of writing as seen through word choice and figurative meaning.
“Assess how point of view or purpose shapes the content and style of a text.” One of the main points of the GRA is to dive into perspective, this does not only include the perspective of the narrators but also how our own perspective and lens impacts our understanding and experience with the text.
“Integrate and evaluate content presented in diverse media and formats, including visually and quantitatively, as well as in words.” Because there are additional tools layered in with the Global Read Aloud, such as author videos, student presentations, and other content created by students around the world, this is a natural extension of the learning.
“Delineate and evaluate the argument and specific claims in a text, including the validity of the reasoning as well as the relevance and sufficiency of the evidence.” I love having my students discuss with others what they believe will happen in the story, as well as what the characters should do in order to stay within character. Diving deep into a character and then being able to articulate and argue one’s opinion is a vital skill.
“Analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take.” I always add in other sources and use the Global Read Aloud as a springboard into inquiry. Because the books chosen are often set in unfamiliar places or center around unfamiliar events, students naturally have a lot of questions. This is why the resource sharing is an incredibly powerful tool of the GRA.
This is just discussing the reading component, but the beauty of the GRA is that it is so much more than “just” reading. Coupling it with the collaborative global aspect offers us the opportunity for students to work on writing, on speaking and listening, on the act of collaboration itself, as well as meaningful technology integration. It allows us to focus on building an understanding of others, of developing empathy and activism. This is at the center of what great 21st century learning looks like; providing authentic and meaningful ways to engage in a world wide dialogue around relevant topics.
And for the teachers involved, it allows for new tools to be introduced, new connections to be forged that will bolster their teaching, as well as a meaningful way to dive into literacy that will model what literacy experiences should look like.
But don’t just take my word on it. I asked educators who have done the GRA to share how they integrated the project into their curriculum and here is what they said.
My district encourages the SAMR model for technology integration. Using technology to share ideas and collaborate with students from other parts of the country/world is a task that falls under the highest level of the SAMR model.
I use FlipGrid as a way to respond to the text while assessing speaking and listening standards, come to discussions prepared and adding to the discussion. I also assess postcards for adding media to support text. In addition to literacy, GRA really fits into our S.S. theme of world regions and cultures.
GRA works across all levels, promotes excellent collaboration, learning styles, communication, technology integration and global connections. The teacher has the flexibility to incorporate using standards/skills that he/she sees fit. I’ve shared about it only positively.
Refugee was a huge addition to my 7/8 curriculum last fall, and I’d wager that it was an experience that would be at the top of the list for what kids will remember from my class. We use a workshop model, largely, and so the chapters would be built in as model texts for minilessons in reading and writing workshop. We’d do quickwrites about character development, inferences, vocabulary in context, to name a few . . . Most important to me, however, was just the chance to share a terrific story and know it was also happening in classrooms around the world – so powerful!
We were asked this year to use a read aloud to model fluency and what a reader is thinking while they read. Our 6th graders seem to think letting the words pass through the eyeballs without going to the brain is sufficient, and we are trying to change that perception. Two of us could attest to its effectiveness due to GRA. We did Refugee this year and it opened up all sorts of thinking and discussion.
At the end of Refugee, I had them create one pagers, and I met individually to discuss questions related to the book and standards. For instance, what was the theme, how do you know, how did it develop through the story. What was your favorite scene and why was it important to the whole story. Really just took a look at State standards and created questions. Then, we followed up with self-selected research topics related to the story.Also, brought in non-fiction pairings to add to depth of topics.
It’s the epitome of 21st century skills – the kids have to communicate and collaborate with others around the world; they think critically about meaningful issues that impact their peers; they come up with creative projects and responses. They’re also highly engaged with a great text.all great things!!
It lends itself SO well to standards and curriculum!! I teach 1-2 on a loop and did A Boy Called Bat and before that the BFG! Asks and answers questions for sure, technology (connecting with other classes), social studies and map skills (finding new friends on the map)….not to mention that they LOVE reading and get interested in authors and their other books!!!
I teach in South Africa and participated in GRA for the first time last year. It was the highlight of the year. Our school year starts in Jan and my present class have a countdown going for when they can start GRA. I integrated Refugee into all subjects I teach. The book became real and even more so with the global connections and sharing we made. 21st Century teaching is all about communication, collaboration and creative thinking. This is exactly what GRA does.
It is so important that students learn of different cultures in our ever changing world. We use the Lucy Calkin’s UOS for our literacy block. We read the book aloud as the read aloud time for the day and it reinforced the skills being taught in the workshop that dealt with social issues. We also hit so many listening and speaking goals by connecting through Flip Grid and Google Hangouts with a global audience for both. We learned about author’s trade through our weekly videos we watched made by the author. We wrote authentically with sharing our thoughts on Padlet and posting on social media under the guidance of our teachers and me the librarian. We gained knowledge and empathy for what people in other cultures across the world might experience through hyperdocs created by educators to be used to help us learn vocabulary and history about the culture of the people in the books we shared.
I’ve been able to integrate the picture books into the standards we’re teaching during that time. Since it’s so close to the beginning of the year, it’s your basic story elements.
And so, much like I have said before; why take the time to do the GRA? Global collaboration is necessary to show students that they are part of something bigger than them. That the world needs to be protected and that we need to care for all people. You can show them pictures of kids in other countries but why not have them speak to each other? Then the caring can begin.
To sign up for this year’s incredible project, go here. It kicks off September 30th!
One of the biggest changes within children’s publishing since I became a teacher and a parent has been the explosion of graphic novels onto the market. While comics have long been mainstream in the home, and many of us grew up devouring comics, the power of the graphic novel to excite readers and keep them reading is tangible. So much so that if you looked at my own classroom collection, you wouldn’t just see a bin or two but instead 16 of them and growing. It is a format that is growing significantly not just in my classroom, but also my home, with my kids crowding around every book delivery asking whether there is a graphic novel in there and fighting over it if there is. In fact, graphic novels are the biggest reason our oldest daughter believes she can actually read and be a reader.
Graphic novels are nothing new, the first one was published in 1842, but the way they have captured the imagination of readers everywhere is nothing less than amazing. And why not? Combining powerful illustrations with, at times, the sparse text is sure to keep many readers reading. And yet, one of the biggest push backs in reading also happens to surround graphic novels with many parents and educators lamenting their “easiness.” Within these missives lies a movement to then steer kids away from these “dessert” books and into “harder” reading, or outright banning the reading of graphic novels, telling kids that these books are just for fun, don’t count toward whatever set goal or points, or even confiscating them from kids seen reading them.
No wonder, our kids are confused when we tell them to read more but then tell them not that!
As parents, it is important that we do not become part of the groups of adults who dismiss the value of graphic novels, who effectively stop our own children from these meaningful reading experiences, all in the name of “harder” reading. We must also become advocates for these incredible books that are giving many children a way back into reading that wasn’t there before. And while fantastic organizations like the CBLDF – Comic Book Legal Defense Fund – have been heading the charge for many years, we know that knowledge is power and so I think it helps to also break down some of the ideas surrounding graphic novels and the stigma that is often attached to them.
So what do we know about graphic novels and their readability? Their enticing nature? And their place in not just our schools but also in our homes?
It is easy to see why many people, adults especially, would like to dismiss all graphic novels as being too easy to read, thus not challenging a reader enough. Many adults seem to be very stuck on what a challenging reading experience looks like; it must have this many pages, it must have dense wording, it must center around a deep topic, and the institutionally ingrained notion that it would be best if it were a “classic” book, so that the reader will not only have an exciting reading experience but an enriching one as well. And while there is the need for a balance within what we read, this idea of what is easy to a reader is something worth discussing.
While there are many nuances to what makes a book easy for someone, common traits are that the reader can easily access all of the information on the page, read and understand all of the words, visualize all of the story in order to fill in the gaps between story and reader, as well as follow the story and complete it within whatever timely manner would be sensible for that reader. An easy book, therefore, seems to be used interchangeably with what we expect a good fit book to be for all of our readers. So why is it that graphic novels as a whole are seen as easier than most chapter books?
The pictures or illustrations, of course, seem to be the most common answer.
Yet, in my own experience with my children and students, it is the pictures that actually add to the sophistication and difficulty of graphic novels because of the skills required to read the images. Think of it this way, when a reader is translating symbols into meaning such as what we do when we read, they are being asked to not only read the symbols but also decode it and create meaning behind the words, or translating those words into images. As a reader, they are then tasked with inferring and visualizing what is happening in the story in their own mind leading to a full understanding. In a graphic novel, readers are still expected to decode and understand all of the words, but at the same time as this complex process is happening, they are also asked to decode and interpret the images that go along with the words. And then they have to combine that through synthesis in their brain otherwise the book will make no sense. That is not an easy process. The visual complexity of many graphic novels convey a story that would take ages to convey, yet are being presented within one panel or page. It takes time to dive into a graphic novel, much as it does with a text-only book. To read more about what process the brain must go through when reading a graphic novel, read this blog post by Leslie Morrison
In fact, I have noticed throughout my years as a teacher that it is most often my readers who read very quickly who find graphic novels hard to read. They simply do not slow down enough to fully decode the images, mostly focusing on the words, and thus missing outright the subtleties that the images themselves provide, thus losing out on a deeper meaning. So while the illustrations may be what is enticing to the reader in the first place, the illustrations also add a layer of complexity onto the text that the words themselves would not have provided.
One can argue that the illustrations mean that the reader no longer has to visualize the story on their own, yet when asking my readers of graphic novels to describe scenes it is clear that many of them go beyond the page in their understanding of what a scene looks like and once again are “filling in the gaps” between the page and themselves, inferring beyond the story and adding the nuances we would expect any reader to add.
And sure, some of my kids rush through graphic novels so quickly that I know as their mom that they did not engage in close reading of the pages and illustrations, similar to what happens when a reader skims through the pages of a non-illustrated book just to find out what happens next. However, here there is one distinction in the habit of many readers of graphic novels; while they may read the graphic novel quickly on the first try, what often happens then is the re-reads of the same graphic novel as they pore over the pages more closely once they have navigated the story once. This process is one that only adds value as their understanding deepens with each re-read.
Yet the words “It’s too easy” continue to haunt our graphic novel committed readers. And as a parent, I do understand the hesitation and perhaps even fear that because your child is not doing the hard work of visualizing a story independently, and not practicing these skills without images attached to them, that they are somehow developing less than a child that doesn’t get to read graphic novels or stays clear of them. But here is the thing; those skills are being practiced, it just might not be within their independent reading choice. If you look at a broad swath of a child’s reading day in school, most of the text they are given is image-free. They are asked to navigate complex texts within literacy classes, science classes, and social studies. They are asked to pull out the meaning from texts that are often above their comprehension and background level and working on the skills to sustain attention. What schools have started to add more of is actual visual literacy as dictated by the Common Core and other education reform initiatives. The same skills being honed within visual literacy, or the reading of everything that surrounds the words (color, layout, texture et al) can and should be transferred to reading regular text. With the onslaught of images within our day, being able to critically analyze them is a vital component of comprehension of our world.
Another aspect of the “too easy” notion is that kids will only want to read “easy” books if that is all they are allowed to read. For this argument, I encourage us, adults, to look back at our own reading journeys and visualize the books that have shaped us. If we do this we should notice not a smooth diagonal line where each book increased in complexity but rather stages and stops on a reading journey that has probably been bumpy yet still helped us grow. How many of us still read the same books we read as children because that is all we care to read – well, if you are an educator this may be you, but still, the books I gravitated toward as a child don’t hold the same value or intrigue as they did when I was younger. When I was ready, I moved on to something else, and this is exactly what research also shows us: That graphic novel reading will not lead to less challenging reading, but instead to more challenging as kids mature and naturally gravitate toward harder texts whether illustrated or not. As Krashen, Lee, and Lao say in their book Comprehensible and Compelling: The Causes and Effects of Free Voluntary Reading, “Children in a print-rich environment in which they are free to select their own reading do not stay with easy books. They not only read more as they mature, but they also select, on their own, books that are harder to read and have more complicated plots.”
So what is it we mean by easy? I think that the word we are looking for instead is enticing. That graphic novels offer readers of many skills different points to enter into a text through. That the abundance of images offers readers a way to anchor their thinking and sink deeper into a text that they might not have been able to access in a regular text-only form. That readers with or without reading difficulties can find success within graphic novels, not just in a comprehension aspect, but also in a reading identity aspect. They can be readers that love reading. They can be readers who feel at home within the pages of a book, for some this may be for the first time ever.
This is why we need to review our own adult reactions when it comes to a child who embraces graphic novels. Rather than worry that somehow the reading experience they are engaged in is somehow less-than, we should be jumping in with both feet, finding more graphic novels for them to explore and also reading some ourselves. After all, as parents and caregivers, we often have an immense sense of power when it comes to what our children deem proper reading. Why not show our children just how much these books matter? Why not change the conversation?
This is the fourth year that my students have gathered what they deem the very best books that they read this year and shared their recommendations with the world. As always we have favorites that seem to pop up every year, but this year we also had a lot of new titles join the mix.
As always, I loved seeing what made the cut because I simply could not do the work I do without the help of these incredible books. Some of these are fine for all 7th graders, some are more mature, I am including them all so that you can make your own decision. All parents are informed of the range of books that are present in our classroom library so that students can choose something that speaks to them. Not all of these books are in my library but are books that the students have found and read independently.
It was interesting to see just how many of these books I myself had read and book-talked, as well as how many have been favorites two or more years in a row. There were also many of these books that were book-talked by more than one student such as Until Friday Night, Yummy, Scythe, and the Mortal Instruments. Yet this also seemed to be the year where students continued to read about stories that they may not be familiar with themselves, however, despite my book talks, there are still certain gaps in what our students are loving. I hope you find their recommendations helpful. This year, they created a slide to speak about their choice. Scroll down to see the list.
Other things I noticed were:
The most requested book was Long Way down by Jason Reynolds, followed closely byUntil Friday Night by Abbi Glines and Scythe by Neal Shusterman.
High school drama books that had a romantic twist were in heavy rotation.
So were free verse books and graphic novels.
Social justice books continue to carry a deep impact and are passed from hand to hand
Eleven-year old Roger is trying to make sense of his classmate Robert “Yummy” Sandifer’s death, but first he has to make sense of Yummy’s life. Yummy could be as tough as a pit bull sometimes. Other times he was as sweet as the sugary treats he loved to eat. Was Yummy some sort of monster, or just another kid? As Roger searches for the truth, he finds more and more questions. How did Yummy end up in so much trouble? Did he really kill someone? And why do all the answers seem to lead back to a gang-the same gang to which Roger’s older brother belongs?
In the year 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he’s jacked into the virtual utopia known as the OASIS. Wade’s devoted his life to studying the puzzles hidden within this world’s digital confines—puzzles that are based on their creator’s obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them.
But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade’s going to survive, he’ll have to win—and confront the real world he’s always been so desperate to escape.
For the millions who log in every day, Warcross isn’t just a game—it’s a way of life. The obsession started ten years ago and its fan base now spans the globe, some eager to escape from reality and others hoping to make a profit. Struggling to make ends meet, teenage hacker Emika Chen works as a bounty hunter, tracking down Warcross players who bet on the game illegally. But the bounty-hunting world is a competitive one, and survival has not been easy. To make some quick cash, Emika takes a risk and hacks into the opening game of the international Warcross Championships—only to accidentally glitch herself into the action and become an overnight sensation.
Convinced she’s going to be arrested, Emika is shocked when instead she gets a call from the game’s creator, the elusive young billionaire Hideo Tanaka, with an irresistible offer. He needs a spy on the inside of this year’s tournament in order to uncover a security problem . . . and he wants Emika for the job. With no time to lose, Emika’s whisked off to Tokyo and thrust into a world of fame and fortune that she’s only dreamed of. But soon her investigation uncovers a sinister plot, with major consequences for the entire Warcross empire.
A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE
Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.
And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.
Sloane knows better than to cry in front of anyone. With suicide now an international epidemic, one outburst could land her in The Program, the only proven course of treatment. Sloane’s parents have already lost one child; Sloane knows they’ll do anything to keep her alive. She also knows that everyone who’s been through The Program returns as a blank slate. Because their depression is gone—but so are their memories.
Under constant surveillance at home and at school, Sloane puts on a brave face and keeps her feelings buried as deep as she can. The only person Sloane can be herself with is James. He’s promised to keep them both safe and out of treatment, and Sloane knows their love is strong enough to withstand anything. But despite the promises they made to each other, it’s getting harder to hide the truth. They are both growing weaker. Depression is setting in.
World War II is raging. Michael O’Shaunessey, originally from Ireland, now lives in Nazi Germany with his parents. Like the other boys in his school, Michael is a member of the Hitler Youth.But Michael has a secret. He and his parents are spies.Michael despises everything the Nazis stand for. But he joins in the Hitler Youth’s horrific games and book burnings, playing the part so he can gain insider knowledge.When Michael learns about Projekt 1065, a secret Nazi war mission, things get even more complicated. He must prove his loyalty to the Hitler Youth at all costs — even if it means risking everything he cares about.Including… his own life.
A world with no hunger, no disease, no war, no misery: humanity has conquered all those things, and has even conquered death. Now Scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.
Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.
Alex Douglas always wanted to be a hero. But nothing heroic ever happened to Alex. Nothing, that is, until his eleventh birthday. When Alex rescues a stray dog as a birthday gift to himself, he doesn’t think his life can get much better. Radar, his new dog, pretty much feels the same way. But this day has bigger things in store for both of them.
This is a story about bullies and heroes. About tragedy and hope. About enemies with two legs and friends with four, and pesky little sisters and cranky old men, and an unexpected lesson in kindness delivered with a slice of pizza. This is Eleven: the journey of a boy turning eleven on 9/11.
From Amazon:You can’t stop the future. You can’t rewind the past. The only way to learn the secret . . . is to press play.
Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker—his classmate and crush—who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why.
Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.
To everyone who knows him, West Ashby has always been that guy: the cocky, popular, way-too-handsome-for-his-own-good football god who led Lawton High to the state championships. But while West may be Big Man on Campus on the outside, on the inside he’s battling the grief that comes with watching his father slowly die of cancer.
Two years ago, Maggie Carleton’s life fell apart when her father murdered her mother. And after she told the police what happened, she stopped speaking and hasn’t spoken since. Even the move to Lawton, Alabama, couldn’t draw Maggie back out. So she stayed quiet, keeping her sorrow and her fractured heart hidden away.
As West’s pain becomes too much to handle, he knows he needs to talk to someone about his father—so in the dark shadows of a post-game party, he opens up to the one girl who he knows won’t tell anyone else.
West expected that talking about his dad would bring some relief, or at least a flood of emotions he couldn’t control. But he never expected the quiet new girl to reply, to reveal a pain even deeper than his own—or for them to form a connection so strong that he couldn’t ever let her go…
Timothy is on probation. It’s a strange word—something that happens to other kids, to delinquents, not to kids like him. And yet, he is under house arrest for the next year. He must check in weekly with a probation officer and a therapist, and keep a journal for an entire year. And mostly, he has to stay out of trouble. But when he must take drastic measures to help his struggling family, staying out of trouble proves more difficult than Timothy ever thought it would be.
When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder—much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It’s hard to call the police when the murderers are invisible to everyone else and when there is nothing—not even a smear of blood—to show that a boy has died. Or was he a boy?
This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It’s also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know…
“No one gets something for nothing. We all should know better.”
Teenagers at Wisconsin’s Nottawa High School are drawn deeper into a social networking site that promises to grant their every need . . . regardless of the consequences. Soon the site turns sinister, with simple pranks escalating to malicious crimes. The body count rises.
I guess I always felt even if the world came to an end, McDonald’s still would be open.
High school sophomore Miranda’s disbelief turns to fear in a split second when an asteroid knocks the moon closer to Earth, like “one marble hits another.” The result is catastrophic. How can her family prepare for the future when worldwide tsunamis are wiping out the coasts, earthquakes are rocking the continents, and volcanic ash is blocking out the sun?
As August turns dark and wintery in northeastern Pennsylvania, Miranda, her two brothers, and their mother retreat to the unexpected safe haven of their sunroom, where they subsist on stockpiled food and limited water in the warmth of a wood-burning stove.
How do you give a eulogy when you can’t think of one good thing to say? A poignant, funny, and candid look at grief, family secrets, difficult people, and learning to look behind the facade.
As if being stuffed into last year’s dress pants at his cousin’s wake weren’t uncomfortable enough, thirteen-year-old Jimmy has just learned from his mother that he has to say a few words at the funeral the next day. Why him? What could he possibly say about his cousin, who ruined everything they did? He can’t recall one birthday party, family gathering, or school event with Patrick that didn’t result in injury or destruction. As Jimmy attempts to navigate the odd social norms of the wake, he draws on humor, heartfelt concern, and a good deal of angst while racking his brain and his memory for a decent and meaningful memory to share. But it’s not until faced with a microphone that the realization finally hits him: it’s not the words that are spoken that matter the most, but those that are truly heard.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
No one ever said life was easy. But Ponyboy is pretty sure that he’s got things figured out. He knows that he can count on his brothers, Darry and Sodapop. And he knows that he can count on his friends—true friends who would do anything for him, like Johnny and Two-Bit. But not on much else besides trouble with the Socs, a vicious gang of rich kids whose idea of a good time is beating up on “greasers” like Ponyboy. At least he knows what to expect—until the night someone takes things too far.
It is The Campus. Secretly created under the administration of President Jack Ryan, its sole purpose is to eliminate terrorists and those who protect them. Officially, it has no connection to the American government—a necessity in a time when those in power consider themselves above such arcane ideals as loyalty, justice, and right or wrong.
Now covert intelligence expert Jack Ryan Jr. and his compatriots at The Campus—joined by black ops warriors John Clark and “Ding” Chavez—have come up against their greatest foe: a sadistic killer known as the Emir. Mastermind of countless horrific attacks, the Emir has eluded capture by every law enforcement agency in the world. But his greatest devastation is yet to be unleashed as he plans a monumental strike at the heart of America.
On the trail of the Emir, Jack Ryan Jr. will find himself following in his legendary father’s footsteps on a manhunt that will take him and his allies across the globe, into the shadowy arenas of political gamesmanship, and back onto U.S. soil in a race to prevent the possible fall of the West…
After her family is killed by corrupt warlord Aric Athair and his bloodthirsty army of Bullets, Caledonia Styx is left to chart her own course on the dangerous and deadly seas. She captains her ship, the Mors Navis, with a crew of girls and women just like her, who have lost their families and homes because of Aric and his men. The crew has one mission: stay alive, and take down Aric’s armed and armored fleet.
But when Caledonia’s best friend and second-in-command barely survives an attack thanks to help from a Bullet looking to defect, Caledonia finds herself questioning whether to let him join their crew. Is this boy the key to taking down Aric Athair once and for all…or will he threaten everything the women of the Mors Navis have worked for?
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.
But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.
With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.
Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.
The Garretts are everything the Reeds are not. Loud, numerous, messy, affectionate. And every day from her balcony perch, seventeen-year-old Samantha Reed wishes she was one of them . . . until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase’s family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself?
What really happened to Charlie? It’s the question that John can’t seem to shake, along with the nightmares of Charlie’s seeming death and miraculous reappearance. John just wants to forget the whole terrifying saga of Freddy Fazbear’s Pizza, but the past isn’t so easily buried.Meanwhile, there’s a new animatronic pizzeria opening in Hurricane, along with a new rash of kidnappings that feel all too familiar. Bound together by their childhood loss, John reluctantly teams up with Jessica, Marla, and Carlton to solve the case and find the missing children. Along the way, they’ll unravel the twisted mystery of what really happened to Charlie, and the haunting legacy of her father’s creations.
Only the living can make the world better. Live and make it better.Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.
Bono met his wife in high school, Park says. So did Jerry Lee Lewis, Eleanor answers. I’m not kidding, he says. You should be, she says, we’re 16. What about Romeo and Juliet? Shallow, confused, then dead. I love you, Park says. Wherefore art thou, Eleanor answers. I’m not kidding, he says. You should be.
Set over the course of one school year in 1986, this is the story of two star-crossed misfits-smart enough to know that first love almost never lasts, but brave and desperate enough to try. When Eleanor meets Park, you’ll remember your own first love-and just how hard it pulled you under.
But for Grace, an only child who was adopted at birth, discovering that she is a middle child is a different ride altogether. After putting her own baby up for adoption, she goes looking for her biological family, including—
Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she’s quick to search for traces of herself among these not-quite-strangers. And when her adopted family’s long-buried problems begin to explode to the surface, Maya can’t help but wonder where exactly it is that she belongs.
And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he’s learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can’t hurt anyone but him.
Frey and Rafi are inseparable . . . two edges of the same knife. But only one of them is ever seen in public.
Frey is Rafi’s twin sister-and her body double. Their powerful father has many enemies, and the world has grown dangerous as the old order falls apart. So while Rafi was raised to be the perfect daughter, Frey has been taught to kill. Her only purpose is to protect her sister, to sacrifice herself for Rafi if she must.
When her father sends Frey in Rafi’s place as collateral in a precarious deal, she becomes the perfect impostor. But Col, the son of a rival leader, is getting close enough to spot the killer inside her . . . .
For sixteen-year-old Dan Crawford, the New Hampshire College Prep program is the chance of a lifetime. Except that when Dan arrives, he finds that the usual summer housing has been closed, forcing students to stay in the crumbling Brookline Dorm—formerly a psychiatric hospital. As Dan and his new friends Abby and Jordan start exploring Brookline’s twisty halls and hidden basement, they uncover disturbing secrets about what really went on here . . . secrets that link Dan and his friends to the asylum’s dark past. Because Brookline was no ordinary mental hospital, and there are some secrets that refuse to stay buried.
Long ago, a village made a bargain with the devil: to ensure their prosperity, when the Slaughter Moon rises, the village must sacrifice a young man into the depths of the Devil’s Forest.
Only this year, the Slaughter Moon has risen early.
Bound by duty, secrets, and the love they share for one another, Mairwen, a spirited witch; Rhun, the expected saint; and Arthur, a restless outcast, will each have a role to play as the devil demands a body to fill the bargain. But the devil these friends find is not the one they expect, and the lies they uncover will turn their town—and their hearts—inside out.
Ketterdam: a bustling hub of international trade where anything can be had for the right price―and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone. . . .
A convict with a thirst for revenge.
A sharpshooter who can’t walk away from a wager.
A runaway with a privileged past.
A spy known as the Wraith.
A Heartrender using her magic to survive the slums.
A thief with a gift for unlikely escapes.
Six dangerous outcasts. One impossible heist. Kaz’s crew is the only thing that might stand between the world and destruction―if they don’t kill each other first.
Prince Sebastian is looking for a bride―or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia―the hottest fashion icon in the world capital of fashion!
Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances―one of only two people who know the truth: sometimes this boy wears dresses. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances defer her dreams to protect a friend? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.
Isabella Swan’s move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Isabella’s life takes a thrilling and terrifying turn.
Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Isabella, the person Edward holds most dear. The lovers find themselves balanced precariously on the point of a knife-between desire and danger.
In kindergarten, Jarrett Krosoczka’s teacher asks him to draw his family, with a mommy and a daddy. But Jarrett’s family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett’s life. His father is a mystery — Jarrett doesn’t know where to find him, or even what his name is. Jarrett lives with his grandparents — two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along.
Jarrett goes through his childhood trying to make his non-normal life as normal as possible, finding a way to express himself through drawing even as so little is being said to him about what’s going on. Only as a teenager can Jarrett begin to piece together the truth of his family, reckoning with his mother and tracking down his father.
Can an undercover nerd become a superstar agent? Ben Ripley sure hopes so—and his life may depend on it!
Ben Ripley may only be in middle school, but he’s already pegged his dream job: C.I.A. or bust. Unfortunately for him, his personality doesn’t exactly scream “secret agent.” In fact, Ben is so awkward, he can barely get to school and back without a mishap. Because of his innate nerdiness, Ben is not surprised when he is recruited for a magnet school with a focus on science—but he’s entirely shocked to discover that the school is actually a front for a junior C.I.A. academy. Could the C.I.A. really want him?
Actually, no. There’s been a case of mistaken identity—but that doesn’t stop Ben from trying to morph into a supercool undercover agent, the kind that always gets the girl. And through a series of hilarious misadventures, Ben realizes he might actually be a halfway decent spy…if he can survive all the attempts being made on his life!
It was a dark and stormy night; Meg Murry, her small brother Charles Wallace, and her mother had come down to the kitchen for a midnight snack when they were upset by the arrival of a most disturbing stranger.
“Wild nights are my glory,” the unearthly stranger told them. “I just got caught in a downdraft and blown off course. Let me sit down for a moment, and then I’ll be on my way. Speaking of ways, by the way, there is such a thing as a tesseract.”
A tesseract (in case the reader doesn’t know) is a wrinkle in time. To tell more would rob the reader of the enjoyment of Miss L’Engle’s unusual book. A Wrinkle in Time, winner of the Newbery Medal in 1963, is the story of the adventures in space and time of Meg, Charles Wallace, and Calvin O’Keefe (athlete, student, and one of the most popular boys in high school). They are in search of Meg’s father, a scientist who disappeared while engaged in secret work for the government on the tesseract problem.
The two-time Newbery Honor winner Gary D. Schmidt delivers the shattering story of Joseph, a father at thirteen, who has never seen his daughter, Jupiter. After spending time in a juvenile facility, he’s placed with a foster family on a farm in rural Maine. Here Joseph, damaged and withdrawn, meets twelve-year-old Jack, who narrates the account of the troubled, passionate teen who wants to find his baby at any cost. In this riveting novel, two boys discover the true meaning of family and the sacrifices it requires.
Aven Green loves to tell people that she lost her arms in an alligator wrestling match, or a wildfire in Tanzania, but the truth is she was born without them. And when her parents take a job running Stagecoach Pass, a rundown western theme park in Arizona, Aven moves with them across the country knowing that she’ll have to answer the question over and over again.
Her new life takes an unexpected turn when she bonds with Connor, a classmate who also feels isolated because of his own disability, and they discover a room at Stagecoach Pass that holds bigger secrets than Aven ever could have imagined. It’s hard to solve a mystery, help a friend, and face your worst fears. But Aven’s about to discover she can do it all . . . even without arms.
My disease is as rare as it is famous. Basically, I’m allergic to the world.I don’t leave my house, have not left my house in seventeen years. The only people I ever see are my mom and my nurse, Carla.
But then one day, a moving truck arrives next door. I look out my window, and I see him. He’s tall, lean and wearing all black—black T-shirt, black jeans, black sneakers, and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly.
Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.
With four hundred miles of dangerous Colorado wilderness separating one brave dog from her beloved person, Bella sets off on a seemingly impossible and completely unforgettable adventure home.
A Dog’s Way Home is a beautifully told, charming tale that explores the unbreakable bond between us and those we love. This is a fantastic and exhilarating journey of the heart that brilliantly speaks to the incredible power of love and resilience of spirit that tie us together.
When sixteen-year-old Tariq Johnson dies from two gunshot wounds, his community is thrown into an uproar. Tariq was black. The shooter, Jack Franklin, is white.
In the aftermath of Tariq’s death, everyone has something to say, but no two accounts of the events line up. Day by day, new twists further obscure the truth.
Tariq’s friends, family, and community struggle to make sense of the tragedy, and to cope with the hole left behind when a life is cut short. In their own words, they grapple for a way to say with certainty: This is how it went down.
Since their mother’s death, Carter and Sadie have become near strangers. While Sadie has lived with her grandparents in London, her brother has traveled the world with their father, the brilliant Egyptologist, Dr. Julius Kane.
One night, Dr. Kane brings the siblings together for a “research experiment” at the British Museum, where he hopes to set things right for his family. Instead, he unleashes the Egyptian god Set, who banishes him to oblivion and forces the children to flee for their lives.
Soon, Sadie and Carter discover that the gods of Egypt are waking, and the worst of them–Set–has his sights on the Kanes. To stop him, the siblings embark on a dangerous journey across the globe–a quest that brings them ever closer to the truth about their family, and their links to a secret order that has existed since the time of the pharaohs.
The power of the atom was harnessed in a top-secret government compound in Los Alamos, New Mexico, by a group of brilliant scientists led by the enigmatic wunderkind J. Robert Oppenheimer. Focused from the start on the monumentally difficult task of building an atomic weapon, these men and women soon began to wrestle with the moral implications of actually succeeding. When they detonated the first bomb at a test site code-named Trinity, they recognized that they had irreversibly thrust the world into a new and terrifying age.
When Autumn Collins finds herself accidentally locked in the library for an entire weekend, she doesn’t think things could get any worse. But that’s before she realizes that Dax Miller is locked in with her.
Autumn doesn’t know much about Dax except that he’s trouble. Between the rumors about the fight he was in (and that brief stint in juvie that followed it) and his reputation as a loner, he’s not exactly the ideal person to be stuck with. Still, she just keeps reminding herself that it is only a matter of time before Jeff, her almost-boyfriend, realizes he left her in the library and comes to rescue her.
Only he doesn’t come. No one does.
Instead it becomes clear that Autumn is going to have to spend the next couple of days living off vending-machine food and making conversation with a boy who clearly wants nothing to do with her. Except there is more to Dax than meets the eye.
As he and Autumn at first grudgingly, and then not so grudgingly, open up to each other, Autumn is struck by their surprising connection. But can their feelings for each other survive once the weekend is over and Autumn’s old life, and old love interest, threaten to pull her from Dax’s side?
Milo has two great moms, but he’s never known what it’s like to have a dad. When Milo’s doctor suggests asking his biological father to undergo genetic testing to shed some light on Milo’s extreme allergies, he realizes this is a golden opportunity to find the man he’s always wondered about.
Hollis’s mom Leigh hasn’t been the same since her other mom, Pam, passed away seven years ago. But suddenly, Leigh seems happy―giddy, even―by the thought of reconnecting with Hollis’s half-brother Milo. Hollis and Milo were conceived using the same sperm donor. They met once, years ago, before Pam died.
Now Milo has reached out to Hollis to help him find their donor. Along the way, they locate three other donor siblings, and they discover the true meaning of the other F-word: family.
One touch is all it takes. One touch, and Juliette Ferrars can leave a fully grown man gasping for air. One touch, and she can kill.
No one knows why Juliette has such incredible power. It feels like a curse, a burden that one person alone could never bear. But The Reestablishment sees it as a gift, sees her as an opportunity. An opportunity for a deadly weapon.
Juliette has never fought for herself before. But when she’s reunited with the one person who ever cared about her, she finds a strength she never knew she had.
A new life. A new school. A new bully. That’s what Darrell Mercer faces when he and his mother move from Philadelphia to California. After spending months living in fear, Darrell is faced with a big decision. He can either keep on running from this bully or find some way to fight back.
Haunted by the memory of her boyfriend’s death, Frankie Devereux lives her life by one dangerous rule: nothing matters. But she crosses the line with a reckless choice that forces her to move in with her dad―an overprotective cop―and transfer to a new school. When Frankie meets Marco, a tough street racer who is risking everything for his family, things get complicated.
He wasn’t always the bad boy.
Everyone says Marco Leone is trouble. But at Frankie’s new school, where fistfights in the halls don’t faze anyone and illegal street racing is more popular than football, Marco is also the fastest (and hottest) guy around. As their attraction grows, Frankie can’t seem to stay away from him―until she discovers Marco’s dangerous secret.
Magnus Chase has always been a troubled kid. Since his mother’s mysterious death, he’s lived alone on the streets of Boston, surviving by his wits, keeping one step ahead of the police and the truant officers.
One day, he’s tracked down by an uncle he barely knows-a man his mother claimed was dangerous. Uncle Randolph tells him an impossible secret: Magnus is the son of a Norse god.
The Viking myths are true. The gods of Asgard are preparing for war. Trolls, giants and worse monsters are stirring for doomsday. To prevent Ragnarok, Magnus must search the Nine Worlds for a weapon that has been lost for thousands of years.
When an attack by fire giants forces him to choose between his own safety and the lives of hundreds of innocents, Magnus makes a fatal decision.
Sometimes, the only way to start a new life is to die . . .
After angering his father Zeus, the god Apollo is cast down from Olympus. Weak and disoriented, he lands in New York City as a regular teenage boy. Now, without his godly powers, the four-thousand-year-old deity must learn to survive in the modern world until he can somehow find a way to regain Zeus’s favor.
But Apollo has many enemies-gods, monsters, and mortals who would love to see the former Olympian permanently destroyed. Apollo needs help, and he can think of only one place to go . . . an enclave of modern demigods known as Camp Half-Blood.
Link must defeat evil at every turn in his perilous quest to help Princess Zelda!
Once upon a time, wizards tried to conquer the Sacred Realm of Hyrule. The Spirits of Light sealed the wizards’ power within the Shadow Crystal and banished them to the Twilight Realm beyond the Mirror of Twilight. Now, an evil menace is trying to find Midna, Princess of the Twilight Realm, and the fragments of the Shadow Crystal to gain the power to rule over both the Twilight Realm and the World of Light.
Link once trained in swordsmanship, hoping to protect the world of Hyrule. After a fateful meeting, he sought out the anonymity and peace of life in a small village. But danger and adventure always find heroes to set things right, and when the dark minions of the King of Shadows threaten his new home, Link answers the call!
Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill.
But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral…for all the wrong reasons.
Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it—she has to. Even if it means becoming the very thing the public has made her out to be.
Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young black people, freedom of speech isn’t always free.
Now that high school is over, Ari is dying to move to the big city with his ultra-hip band―if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is, if Ari doesn’t ruin everything.
From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration.
Rafe is a normal teenager from Boulder, Colorado. He plays soccer. He’s won skiing prizes. He likes to write.
And, oh yeah, he’s gay. He’s been out since 8th grade, and he isn’t teased, and he goes to other high schools and talks about tolerance and stuff. And while that’s important, all Rafe really wants is to just be a regular guy. Not that GAY guy. To have it be a part of who he is, but not the headline, every single time.
So when he transfers to an all-boys’ boarding school in New England, he decides to keep his sexuality a secret — not so much going back in the closet as starting over with a clean slate. But then he sees a classmate breaking down. He meets a teacher who challenges him to write his story. And most of all, he falls in love with Ben… who doesn’t even know that love is possible.
They sound like bad guys, they look like bad guys . . . and they even smell like bad guys. But Mr. Wolf, Mr. Piranha, Mr. Snake, and Mr. Shark are about to change all of that…
Mr. Wolf has a daring plan for the Bad Guys’ first good mission. They are going to break two hundred dogs out of the Maximum Security City Dog Pound. Will Operation Dog Pound go smoothly? Will the Bad Guys become the Good Guys? And will Mr. Snake please stop swallowing Mr. Piranha?!
Pay close attention and you might solve this. On Monday afternoon, five students at Bayview High walk into detention. Bronwyn, the brain, is Yale-bound and never breaks a rule. Addy, the beauty, is the picture-perfect homecoming princess. Nate, the criminal, is already on probation for dealing. Cooper, the athlete, is the all-star baseball pitcher. AndSimon, the outcast, is the creator of Bayview High’s notorious gossip app.
Only, Simon never makes it out of that classroom. Before the end of detention Simon’s dead. And according to investigators, his death wasn’t an accident. On Monday, he died. But on Tuesday, he’d planned to post juicy reveals about all four of his high-profile classmates, which makes all four of them suspects in his murder. Or are they the perfect patsies for a killer who’s still on the loose?
Everyone has secrets, right? What really matters is how far you would go to protect them.
“With a bolt of lightning on my kicks . . .The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. Cuz tonight I’m delivering,” announces dread-locked, 12-year old Josh Bell. He and his twin brother Jordan are awesome on the court. But Josh has more than basketball in his blood, he’s got mad beats, too, that tell his family’s story in verse, in this fast and furious middle grade novel of family and brotherhood from Kwame Alexander.
Josh and Jordan must come to grips with growing up on and off the court to realize breaking the rules comes at a terrible price, as their story’s heart-stopping climax proves a game-changer for the entire family.
Some choices change everything. Scarlett chose to run. And the consequences will be deadly.
Stolen from her family as a young girl, Scarlett was lucky enough to eventually escape her captor. Now a teen, she’s starting a summer job at an amusement park. There are cute boys, new friends, and the chance to finally have a normal life.Her first day on the job, Scarlett is shocked to discover that a girl from the park has gone missing. Old memories come rushing back. And now as she meets her new coworkers, one of the girls seems strangely familiar. When Scarlett chose to run all those years ago, what did she set into motion? And when push comes to shove, how far will she go to uncover the truth . . . before it’s too late?
A few other books that have been heavily checked out in our library this year:
Justyce McAllister is a good kid, an honor student, and always there to help a friend—but none of that matters to the police officer who just put him in handcuffs. Despite leaving his rough neighborhood behind, he can’t escape the scorn of his former peers or the ridicule of his new classmates.
Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.
Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it’s Justyce who is under attack.
Stella Grant likes to be in control—even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.
The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.
Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.
What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.
But what Starr does—or does not—say could upend her community. It could also endanger her life.
When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. From the newly formed Parents Against Revisionist Theater to anonymous threats, long-held prejudices are being laid bare and hostilities are spreading against teachers, parents, and students — especially the cast members at the center of the controversy, including Lou’s little brother, who’s playing the Tin Man. As tensions mount at school, so does a romance between Lou and Joey — but as she’s learned, “dating while Native” can be difficult. In trying to protect her own heart, will Lou break Joey’s?
One teenager in a skirt. One teenager with a lighter. One moment that changes both of their lives forever.
If it weren’t for the 57 bus, Sasha and Richard never would have met. Both were high school students from Oakland, California, one of the most diverse cities in the country, but they inhabited different worlds. Sasha, a white teen, lived in the middle-class foothills and attended a small private school. Richard, a black teen, lived in the crime-plagued flatlands and attended a large public one. Each day, their paths overlapped for a mere eight minutes. But one afternoon on the bus ride home from school, a single reckless act left Sasha severely burned, and Richard charged with two hate crimes and facing life imprisonment. The case garnered international attention, thrusting both teenagers into the spotlight.
Set in a horrifying near-future United States, seventeen-year-old Layla Amin and her parents are forced into an internment camp for Muslim American citizens. With the help of newly made friends also trapped within the internment camp, her boyfriend on the outside, and an unexpected alliance, Layla begins a journey to fight for freedom, leading a revolution against the internment camp’s Director and his guards.
“Speak up for yourself―we want to know what you have to say.” From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless―an outcast―because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. Through her work on an art project, she is finally able to face what really happened that night: She was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her.