I have been thinking about how hard we can be on ourselves. The constant negative self-talk we, as educators, can quickly sink into due to the supposed reactions of children we teach. How we can spiral so easily into defeatist thinking. Into thinking we would be better off quitting, or surely, everyone else is doing a much better job at teaching than we are. That has led us to question the path we felt so sure of before a global pandemic hit.
It’s easy right now to fall into this trap. After all, with pandemic teaching many of us have grieved the loss of normal human proximity to our students. Unsure of how to connect through a screen, a camera that is turned off, a silent chat, a muted microphone, or a face covered by a mask, 6 feet away. Unsure of our safety as we crave normalcy in a world that is anything but. And yet we have risen to the occasion, isn’t that what we always do, tirelessly inventing ways to engage, reinventing the ways that used to work, we have reached out, we have shared ideas, we have searched for pieces we can bring in in order for us to feel a bit more effective. And yet, the weight of defeat has also been crushing at times.
When that learning experience we worked so hard on falls flat. Again.
When more kids turn their camera off. Again.
When the emails we send offering our support remain unanswered. Again.
When rather than engage we are met with shrugs. Again.
When the space for discussion remains silent. Again.
When COVID robs us of one-on-one conferring, small group work, or huddled together learning opportunities.
We carry our defeats in the back of our minds, the assumptions of perhaps how much we have failed, how terrible we are at teaching this year, death by a thousand cuts.
Because what has shifted in Covid teaching is one of the biggest tools we rely on; the small body cues that shift our direction, the facial expressions, and the feel of the room. The small signs that tell us to change, to go a certain way and not another, that allows us to read the energy and transform our teaching on the spot. When met with silence and blank screens or stares it is hard to know which direction to change to.
It doesn’t have to be lost though, it just needs to be transformed. I write this blog post to remind myself of tools I already use, that give me the answers I have been searching. Because my teaching life has been riddled with assumptions, and often negative ones of my own success this year, despite the evidence to the opposite. Perhaps yours has too?
So suppose we remember to ask instead of assume.
Suppose we take a moment and create a survey asking how we can grow and be better. What is working? What is not? What do you need from me?
Suppose we do it after every unit or even once a week. Suppose we believe that survey rather than our negative self-talk.
After all, all of the assumptions we make are more than likely not accurate.
I have been doing so on a regular basis, nothing new in my practices, after all, centering the needs of students based on their individual reactions is what I have been pursuing for years. Centering the identity of each child as they take control of their learning is the work I have been sharing for a long time.
And yet, my practices got lost this year. I forgot to ask as often as I should have. And I didn’t believe the results when they came in, assuming (there it is again) that kids were just being nice because they saw how hard I was trying.
Yet, if I look at the survey responses, the path forward is right there. The answers I haven’t been able to see as easily because I haven’t been in the room with my students for 330 days.
The questions have been simple. What is working? What is not? How can we make this experience better for you? What do you wish I knew? And then ideas to see whether we should change course. Offer up opportunities to do group or solo learning. Keeping a “Anything else you want to tell me option” just in case.
The answers have been straightforward, “I like our unit…No need to change anything…I’m having fun…” Ideas have also been shared, “Can we work together….can we have more work time….can we split into groups?” All statements I would not have thought possible if I believed my own assumptions.
And they have bolstered our path. I have tweaked and changed the way I teach based not on facial cues which easily get lost in virtual teaching or behind a mask but rather in the words they share. I have asked for their feedback when we are together and we have changed course mid-morning. I have put voice to the questions that run through my mind where I would normally find the answers in their behaviors rather than needing an explicit conversation about it.
And so I wanted to share the importance of asking once again. Because perhaps, like me, you had forgotten the power of a simple survey. Of relying on students to guide us when we feel we are teaching blindly. On looking at all of the cues that we can receive from other ways than those we traditionally rely on. There are many questions you can ask, I recommend starting with those that you have made the strongest assumptions about, such as whether kids care about what they are learning, how to change your teaching, why they choose to not share in some way in class.
Then believe their answers. Learn from them. Take the positive as the boost you may need, and the negative or neutral as ideas to move forward. Repeat as needed.
We can think we know all of the ways we are failing as teachers, all of the ways we are not good enough. Or we can ask. Base our answers on actual reality. Engage students in our planning, our tweaking, in the shaping of our learning community much like we always should be doing.
After all, kids are experts too, we just need to remember that.
Our class lists were released yesterday and with it came the excitement for the upcoming year. While it may not look anything like I have ever taught before, the year will still start, the 80 or so students will still arrive, and the work with kids will continue much like it has in other years.
This year rather than having a luxurious 5×90 minutes a week with every child, we are fully virtual for the first quarter at least, a decision I am inherently grateful for. That means that I will see my students 2×70 or 4×35 minutes depending on when I have them during the day. They will have 60-90 minutes of asynchronous work to do as well throughout the week. A huge reduction of time and thus also a huge need to really focus in on what we will do together, the learning journey we will be on. As I sat in a meeting with my fantastic colleagues last week, one thing immediately became clear, we all wanted to preserve independent reading during our live time, but not just that, we wanted to center it in reading joy.
But how do we do that when the students are not right there? When we don’t have the tool of proximity, body language, and being able to physically hand them a book? When the time is much shorter? When we can’t read the room or pull them in for a quick conference? When everything has to be pre-planned, pre-scheduled, and done from afar? Well, there is a way to do so.
We will center it in identity. I have written a lot about how (re)discovering and continuing the development of their reading identity is at the center of the work we do. With tools like our reading identity digital notebook which centers in discovery, goal setting, ad honest reflection, this is the work we do all year. That means that within the first week, our students will do their initial reading survey (slide 13 on) in order to establish a baseline for how they are starting and where they need to go. This also offers me a chance to get to know them and their journey up until now. I ask for their honesty but also know that some students rightfully so don’t trust me yet. After the survey, the very first reading conference we have discusses their answers and helps them evaluate the goal they have set. The survey offers me a place to start and a place for the students to reflect back upon as they grow.
We will center it in our reading rights. As a class, we will create our reading rights much like we have in the past, but instead of being able to post our reasons for why reading sucks or why it is magical, we will do it on Padlet. Students will then work in small breakout groups to notice patterns and decide what type of rights they would like to have as readers in our community. I know there are a few rights that they will have no matter what they come up with; they have the right to choose books that matter to them, they have the right to abandon any book, they have the right to do meaningful work, they have the right to read with others. Every year, the students create fantastic rights that create the foundation for our learning together, to read more about the process see this post.
We will center it in personal goal setting. For several years, I set all goals for students and then grew frustrated when there was no buy-in or little progress on the goal. Now, students set their own goals, determine steps for how they will reach them, and reflect at set times on their progress, fine-tuning what they need to work on and (hopefully) noticing their own progress and developments. (Slide 7 on). Diving into the 7th grade reading challenge and discussing what a goal may be beyond quantity has been instrumental to the work we do as it allows kids to see beyond the page number for worthwhile reading habits. Reading growth comes in many sizes and it is important that we acknowledge, protect, develop and praise that. To see more about our reading goal setting, read this post linked here.
We will center it in choice. Getting books in the hands of kids is at the forefront of our ELA departments mind and in collaboration with our incredible library staff, it will happen. We will book talk books during our live time; I do a quick read of the blurb and give my opinion encouraging kids to write down potential titles on their to-be-read lists. We also have static book recommendations as found in our class hub which is housed on our class website. Our librarian will also be booktalking and highlighting books. Students will be able to request books both from the library and from our classroom collection through a simple Google form (here is what mine looks like) and they will have the opportunity to be “surprised” – adding in additional books they may like with every pick up order. They will then have twice weekly pick-up times where books can be grabbed following safety guidelines. If a child cannot pick up the books, we will find a way to get them to them. Book access is paramount for all kids, no matter their access to transportation. For those looking to book browse and shop safely while in class, please see this post for ideas.
We will center it in time. Even though I will have less live time with students than normal, we will still spend time reading together. For the class that only has me for 35 minutes a day, it will be 10 minutes of uninterrupted reading time (mics off), for those with 70 min in a day, it will be 15-20 minutes. I will be working behind the scenes with kids who may not have books, don’t want to read etc during this time. I will say again; if we say we value reading as one of the biggest components of student growth then we have to spend time on it and not just assign it assuming it will happen. Of course, I will hope that the students will also read outside of class but recognize that for some that will simply not happen. The very least I then can do is make sure they have time to read with us when we are together.
We will center it in talk. Reading conferences usually happen when students are doing their independent reading and while that would still be super convenient to continue, I have a feeling that during that time there will be plenty of “in the moment” things to take care of. So instead, I will ask students to confer with me every two weeks where we will have a private ten minute conversation in regard to who they are as a reader and how their goal is progressing. Not only will it give me a glimpse into their reading life, but it will hopefully also serve as a way to get to know them better. Students will have a choice to do it virtually or via the phone, I wrote more about the set up and process here.
We will center it in read aloud. Using read alouds, picture books in particular, has long been a mainstay in our community. This year is no different as I kick off the year with a picture book read aloud, We Don’t Eat our Classmates by Ryan T. Higgins, as a way to dive into what we need to feel safe. I will read it live holding it up to the computer, but as the year progresses, I will scan the pages in so the students can see them in a slideshow while they listen to my voice read it live. Reading aloud bring joy, invites reflection, invites conversations, and offers us a springboard into topics that matter to us; identity, consent, fighting oppression, curiosity and many other aspects of the world. Sharing texts, whether short stories, long form, or picture books, allows us a shared language so we can speak books to one another.
We will center it in time. Building a community centered on reading joy takes time. For some kids they are already invested and ready, others will work on it all year. I know that this year presents additional obstacles that make the road seem even longer, the climb even steeper, yet I can honor every child’s journey by giving them all year to grow. By getting them books. By helping them discover personal value in reading beyond what the teacher asked them to do. I can center our practice in what we know is good for children; choice, time, meaningful work, skill development, community, and access.
We will center it in acceptance and celebration. Our students come to us with so many different emotions tied to reading. I will not help them if all they feel is judged within our virtual walls. I will not help them if I determine their path or tell them how to be a reader. Instead, I can create a space where kids feel that wherever they are on their journey is okay, that however they feel is okay. We will do meaningful work together, we will share read alouds, we will speak about what it personally means to be a reader and develop the skills we need to be stronger readers. We will use reading as a tool of transportation, as a tool of growth, not just in the skills we develop but also in how we view the world. There is room for every child’s reading journey on this mission, there is no one size fits all approach needed.
I know it can be tempting to create a lot of accountability measures in this virtual/hybrid Covid-19 teaching time. I know that it may seem like no big deal if we have kids log every minute, every page. If we ask for adult signatures to prove that they are, indeed, reading like they say they are. If we tell them all to read the same book over and over in order to create classroom conversation. If we ask them to write a short summary, do a small recording, take a quiz every time they finish a book. But what may seem insignificant quickly becomes a potentially damaging requirement. Writing one small summary about a book does not do a lot of harm but having to repeat the process every time one finishes a book can quickly lead to disdain for the reading process itself. Asking kids to log often leads to kids only doing the bare minimum rather than paying attention to when they have the capacity to read longer or the desire to. Asking kids to only read the same books does little to develop their independent reading identity and often makes them liars. The short-term gains from many of these accountability measures are not worth the long-term damage. So rather than focus on the quick accountability tools, take the time to really build the community. To invite the students into the governing decisions. To take stock and change course when it doesn’t work. To continually keep the dialogue open. And to give yourself grace as well. This year for many is not what we had hoped it would be. For many of us we are in entirely new territory. But we got this. We will do our best and then we will return the next day and try again. We don’t need to have all the answers just an idea of where to start.
Building reading joy is possible in virtual teaching, it may just look a little bit different than it has in the past and if there is one thing I know we educators are good at, it is embracing change and making it work. So one step at a time, we got this.
If your district or conference are interested in bringing me in virtually or live throughout the school year, please see information here. I have been supporting teachers remotely and in-person as they plan for meaningful literacy instruction in an in-person, virtual or hybrid model throughout the years and would love to help others as well.
This summer has been one of worry. Of anxiousness. Of too much time spent thinking about possibilities that seemed to shift every day. Of waiting for answers. Of too many times trying to not think about the fall. But the countdown to go back to school has started for many of us, the future, while still uncertain, has at least been hinted at, and I still have so many questions.
A few weeks ago we were told we would be fully virtual for the first quarter and with that information I knew that I could stay overwhelmed and anxious or I could move into solution mode. To take it day by day, rather than try to figure out my whole quarter; focus on the first week, and then have an idea for what might come after. It has helped calm me as I think of all of the unknowns. (Not that I am feeling calm by any means).
And so, as I move ideas into action, it is time to invite you into the thoughts and discussion in my final masterclass of the summer: Masterclass – How Do We Learn Best – Embedding Authentic Choice and Voice. While some of the underlying research and ideas will not have changed from May when I offered it last, I have updated it with ideas of how I plan on establishing conditions to build community, to determine how we can feel safe with one another, how I will embed choice and space for students to speak up and change our time together as we start fully online. This class dives into why it is vital that we center the voices and identities of students as we plan on our instruction and interrogate the systems we have in place. It is meant to inspire, spark discussions, and also offer practical ideas. The accompanying office hours will allow you to ask follow up questions, to share your ideas, and also to have a collective of experts help you with your problems of practice.
Also, if your district or conference are interested in bringing me in virtually throughout the school year, please see information here. I have been supporting teachers remotely and in-person as they plan for meaningful literacy instruction in an in-person, virtual or hybrid model throughout the years and would love to help others as well.
While my district gathers information as we try to determine what the fall can look like my wheels have been spinning. While I may not know whether I will be in a hybrid setting or completely virtual, I know that it will not be school as usual and so a huge question I am wrestling with is how do I translate what we do as a community face-to-face into this new mode of teaching? How do I continue to center our classroom on reading and writing identity when we won’t have the same opportunity for daily discussion and community exploration? When I won’t be right there to kid-watch and adjust my instruction and care of them accordingly?
Every year our readers’ notebooks become a trusted place for many of our students to reflect on who they are as readers, how reading impacts them, and how reading fits into their lives. It is all-year work that ties in with the overall focus on identity, how they see the world, how the world sees them, and how our lens of the world impacts our action. It is at the heart of what we do and yet, this year, I don’t know when I will be with them to do this work. How do we still do meaningful work in our notebooks without kids having to upload every image into our learning hub, how do we center our work in our identity and see how we grow throughout the year?
Enter digital notebooks which really are just fancy templates to make slide shows look like notebooks as my husband pointed out. And yet within the fancy template also comes a familiarity. These templates look like the notebooks we would use with kids, they can be organized in ways that will hopefully make it easier for kids to navigate the work and will ground our work for the year whether we are face-to-face or online.
And so last night, I created a digital notebook for our reading identity work based on a template created by Laura Cahill and while it is a work in progress I wanted to share it here as I know a lot of people are trying to wrap their heads around this work as well. As I write this, my former students are assessing it to give me feedback, I have also asked for feedback from other educators. I know it could be better, I know that collaboration will always improve my teaching.
In this work, I also know that I need to be careful with my students’ reading lives. That year after year they tell me how much they hate to write about their reading, how when we attach to-do’s to their reading it becomes a chore rather than a journey. That when we are constantly asking kids to prove that they are reading they start to not read. This is not anything new, I have written and shared the words of my students for years and it grounds me in every decision I make as the teacher who starts our journey and guides it throughout our year.
With this in mind, I had components in my instruction that I wanted to address as I created this tool.
How will I support kids through this tool? Each component is a separate lesson that we place the foundation for in the beginning of our year together and then return to throughout the year. I have written about all of them on this blog throughout the years as well as gathered all of my thoughts in my book Passionate Readers. So when I ask students to use their to-be-read list or reflect on who they are as a reader, they are not going into this unsupported, instead we weave lessons throughout these conversations such as about our reading journey, which emotions tied in with reading we carry, and many other things. It is also so much bigger than this notebook, this is work embedded in the conversations we have, the media we surround ourselves with, the quiet reflections, the surveys, the connections, the trust, the community, and everything else that we do with the realizations and questions we have. Please do not think that this notebook is all we do or encapsulates all of the work that happens throughout our year, it can’t be and it won’t be.
How will I know whether they are actually reading? I won’t. That comes down to trust, where they are on their journey, as well as which role reading plays in their life. There is no single tool that is worth me implementing for all kids that may not cause more long-term damage to their reading identity. When we are face-to-face, I usually have kids sign in for attendance with their page number that day, this allows me to get a quick glance at their reading that then is deepened in our reading conferences, that is not a fully viable option this year. So instead, the “Accountability” tab offers them an option to choose a way to show me when they have finished a book, and the “Reading data” tab gives them a way to keep track of what they are reading. I will be stressing to kids that their reading data is not meant to capture every minute or page read like a traditional reading log would, but instead to let them give a broad statement about their reading life the previous week. It is the two sections in particular I am still not loving, that will probably change as the year gets going and that I will be keeping a deep eye on as far as potential harm to reading habits. I also know that some kids will not want to use this reading notebook at all, that they would rather refuse than engage, so then that will simply be where we start our conversation. I will be utilizing reading check-in conferences as well, I am just not sure what they will look like yet since I don’t know my school year will look like. I will share my ideas for that when I have them.
How can we get ideas for what to read? Book shopping and surrounding kids with books is a cornerstone of what we do and kids need more than audio and digital books to really continue their reading journey. I have already written about ideas of how to help kids get books in their hands if in a hybrid or virtual learning environment and I will be sharing more ideas as I plan with our incredible librarian and other colleagues for when we know more. I know I will be doing live book talks whenever possible, but also dedicating time in our instruction for kids to book browse virtually, as well as continue to suggest books whenever I can to individual kids. Another idea that I am loving is that when students pick up or drop off books, we add extra books to the bag that they may also like, so that instead of just one or two books, kids get a bag of five or so.
How can students set reading goals that matter to them? For too long, I set the reading goals for my students. Luckily, I saw the light several years ago and I haven’t looked back since. Having students set meaningful reading goals, though, takes time. Many kids, even kids who have fantastic relationships to reading, want to hurry through the goal part and set it just so their teacher will check it off on their to-do-list. This is why setting a 6-week goal at a time and following it up with conversation will be so important in our year together. This is why our goal is not just focused on quantity but habits. Yes, they should read more than they have in the past if they can, but “more” encompasses many different things not just quantity. Kids can use the same goal for more than one round of 6-weeks as needed, some of my students work on the same goal all year. I just want to ensure that we have built in reflection time for the goals and will add dates when I know what my school year calendar looks like.
How will they develop their thinking about who they are as a reader? “Who are you as a reader?” is a question we have used for a few years now in our work with students. At first, many of my students have no idea what to answer, they don’t know necessarily what the question means or are not sure what I am looking for in their answer. That is why this is a year-long reflection question and one that we unpack together, especially because reading identity really just equals identity and so when I ask who are you as a reader what I am really asking is who are you? Since trust is something we build, I see a significant change in students’ responses throughout our year together.
While this is not a finished tool, it won’t be finished until we start using it because my new students will surely impact the work we do and how we do it. For now, this is my best draft and so I share it with the world in the sense of collaboration. That also means that you can certainly make a copy of it and use it, but please do not sell it or forget attribution. This is the work that I along with others have developed over several years. I am grateful that Laura Cahill shared the template for free, so this work is shared, as always, in the same spirit. Feel free to leave questions or comments for me.
Also, if your district or conference are interested in bringing me in virtually throughout the school year, please see information here. I have been supporting teachers remotely as they plan for meaningful literacy instruction in a virtual and hybrid model throughout the summer and would love to help others as well.
Moving to America at the age of 18, gave me a whole new education. An education in privilege, in control, in power, and how to know your place. To pursue your dreams but only if others see you as worthy of that dream.
Becoming a teacher in the American public school system has been one of my greatest joys but also one of my biggest frustrations, my biggest moments of failure, of regret. The power handed those of us with teaching degrees is immeasurable; I can continue the systemic inequities of the structures we work within, or I can learn, listen, question, dismantle, disturb, and create an education that is truly for all kids. I didn’t know that when I started as an educator, my own privilege awarded me blinders and ear muffs. But 10 years ago I started to wake up, a little at a time, although not fast enough, and I recognized that how I used control as a way to ascertain my power in the classroom meant that not all kids could thrive, that not all kids were cared for. That my classroom might have said “Welcome” but those were shallow words. And it was echoed in the curriculum we did and how I helped students grow, how I used choice, how I used rewards and punishment.
And so I started to change the way I taught, the way I thought of education, of my own power within the classroom. I immersed myself in the expertise and wisdom of others who have been on this journey so much longer than I have, I started to ask my students questions I should have been asking from the start and I started writing this blog; sharing my thoughts out loud, inviting others on the journey as I stumbled through and tried to create an education that might work for all kids. A shared experience that would center on the identity of each child rather than the curriculum. It is the work I continue to do and will for a long time. I continue to stumble through on this journey, I continue to share on here, I continue to learn and grow from others while offering my own journey up and now I have been invited by CUE and Microsoft to share through their channels as well as a way to invite you into the journey.
And so I invite you into a conversation surrounding the writing we do in our classrooms with students and how we can use storytelling not just as a way to teach standards but to help students examine and find power within their own identity and story. To come along with me as I share the questions we discuss in our community, the writing we do, and also the resources I have learned from so perhaps you can learn from them as well. So if you have space in your life or a desire to go on this journey with me, please go here to register
The Masterclass will be three parts much like the other masterclass I have done this summer, you can join live or access the recording when it is posted here. I will also be finishing up Embedding Authentic Choice and Voice. part 3 this week, on Thursday at 11 AM PST.
Posting this today, I also know that not everyone is in a place for PD or perhaps that this is not the type of PD you want to immerse yourself in, this is okay. The world is rightfully continuing to need our attention and perhaps you are putting in your energy elsewhere or fully taking a break. I know I have been taking many breaks the last few weeks as I plan for actions in the fall and right now, but for those of you who want to learn with and from me, please know that there will be several offerings all the way through summer.
Live office hours will start up next week – my first drop in one is on the 22nd at 8 AM PST. This is a great opportunity for you to bring problems of practice and we can brainstorm together for an hour or so. If you participate in the Global Read Aloud, you can also use the office hours to brainstorm with me or just ask questions.
All of these sessions are free and the sessions are recorded (office hours are not) so even if you can’t or don’t want to be there live, you can access them later.
The schedule for the rest of the summer’s free PD from me looks like so:
6/17 7 AM PST – Masterclass: Passionate Writers Pt1
6/18 10:30 AM PST – Choice and Voice Pt 3
6/24 7 AM PST – Masterclass: Passionate Writers Pt 2
8/13 7 PM PST – Repeat Masterclass: Embedding Authentic Choice and Voice as we get ready for a new year Pt 1
8/20 7 PM PST – Repeat Masterclass: Embedding Authentic Choice and Voice as we get ready for a new year Pt 2
8/27 7 PM PST – Repeat Masterclass: Embedding Authentic Choice and Voice as we get ready for a new year Pt 3
6/22 – 8 AM PST
6/28 – 8 AM PST
7/2 – 7 PM PST
7/5 – 8 AM PST
7/12 – 8 AM PST
7/19 – 8 AM PST
7/26 – 8 AM PST
7/29 – 7 PM PST
8/7 – 8 AM PST
8/15 – 8 AM PST
8/16 – 8 AM PST
8/23 – 8 AM PST
I hope I can be of service through these sessions. I hope to see some of you there.
If you are wondering where I will be in the coming year or would like to have me speak, please see this page. I offer up workshops and presentations both live and virtually that are based on the work I do with my own students as we pursue engaging, personalized, and independent learning opportunities.I also write more about the design of my classroom and how to give control of their learning back to students in my first book, Passionate Learners.
I didn’t want to let a global pandemic stand in the way of gathering the titles of the amazing books my 7th graders loved this year. This is the fifth year that my students have gathered what they deem the very best books that they read this year and shared their recommendations with the world. As always we have favorites that seem to pop up every year, but this year we also had a lot of new titles join the mix.
As always, I loved seeing what made the cut because I simply could not do the work I do without the help of these incredible books. Some of these are fine for all 7th graders, some are more mature, I am including them all so that you can make your own decision. All parents are informed of the range of books that are present in our classroom library so that students can choose something that speaks to them. Not all of these books are in my library but are books that the students have found and read independently.
It was interesting to see just how many of these books I myself had read and book-talked, as well as how many have been favorites two or more years in a row. There were also many of these books that were book-talked by more than one student such as Until Friday Night, Yummy, Scythe, and the Mortal Instruments. Yet this also seemed to be the year where students continued to read about stories that they may not be familiar with themselves, however, despite my book talks, there are still certain gaps in what our students are loving. I hope you find their recommendations helpful. This year, they created a slide to speak about their choice. Scroll down to see the list.
Other things I noticed were:
The most requested book was Long Way down by Jason Reynolds, followed closely by any of Angie Thomas’ books, Children of Blood and Bone by Tomi Adeyemi, and the whole Scythe series by Neal Shusterman.
High school drama books that had a romantic twist were in heavy rotation.
So were free verse books and graphic novels.
Social justice books continue to carry a deep impact and are passed from hand to hand.
Kids reading interests range widely, some students gravitated toward more traditional literature this year while others solely devoured lighthearted middle grade – this shows the incredible need for a broad and inclusive selection for all of our students.
I have gathered the list for shopping purposes at Bookshop.org – a fantastic website that partners with independent booksellers and pays them a higher percentage for anything they sell than Amazon. So please consider using them when ordering books.
Without further ado, here they are as reported by my 74 seventh graders this year
The Call of the Wild is a short adventure novel by Jack London published in 1903 and set in Yukon, Canada during the 1890s Klondike Gold Rush, when strong sled dogs were in high demand. The central character of the novel is a dog named Buck. The story opens at a ranch in Santa Clara Valley, California, when Buck is stolen from his home and sold into service as a sled dog in Alaska. He becomes progressively feral in the harsh environment, where he is forced to fight to survive and dominate other dogs. By the end, he sheds the veneer of civilization, and relies on primordial instinct and learned experience to emerge as a leader in the wild.
Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill.
But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral . . . for all the wrong reasons.
Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it–she has to. Even if it means becoming the very thing the public has made her out to be.
Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young black people, freedom of speech isn’t always free.
Jason tumbles into a quest to save a magical in this #1 New York Times bestselling start to Brandon Mull’s Beyonders fantasy series.Jason Walker has often wished his life could be a bit less predictable–until a routine day at the zoo ends with Jason suddenly transporting from the hippo tank to a place unlike anything he’s ever seen. In the past, the people of Lyrian welcomed visitors from the Beyond, but attitudes have changed since the wizard emperor Maldor rose to power. The brave resistors who opposed the emperor have been bought off or broken, leaving a realm where fear and suspicion prevail.In his search for a way home, Jason meets Rachel, who was also mysteriously drawn to Lyrian from our world. With the help of a few scattered rebels, Jason and Rachel become entangled in a quest to piece together the word of power that can destroy the emperor and learn that their best hope to find a way home will be to save this world without heroes.
For seventh grader Mila, it starts with an unwanted hug on the school blacktop.
The next day, it’s another hug. A smirk. Comments. It all feels…weird. According to her friend Zara, Mila is being immature, overreacting. Doesn’t she know what flirting looks like?
But it keeps happening, despite Mila’s protests. On the bus, in the halls. Even during band practice-the one time Mila could always escape to her “blue-sky” feeling. It seems like the boys are EVERYWHERE. And it doesn’t feel like flirting–so what is it?
Mila starts to gain confidence when she enrolls in karate class. But her friends still don’t understand why Mila is making such a big deal about the boys’ attention. When Mila is finally pushed too far, she realizes she can’t battle this on her own–and finds help in some unexpected places.
In a future where the Population Police enforce the law limiting a family to only two children, Luke, an illegal third child, has lived all his twelve years in isolation and fear on his family’s farm in this start to the Shadow Children series from Margar.
Kek comes from Africa. In America he sees snow for the first time, and feels its sting. He’s never walked on ice, and he falls. He wonders if the people in this new place will be like the winter – cold and unkind.
In Africa, Kek lived with his mother, father, and brother. But only he and his mother have survived, and now she’s missing. Kek is on his own. Slowly, he makes friends: a girl who is in foster care; an old woman who owns a rundown farm, and a cow whose name means family in Kek’s native language. As Kek awaits word of his mother’s fate, he weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country.
For generations, four Clans of wild cats have shared the forest according to the laws laid down by their ancestors. But the warrior code has been threatened, and the ThunderClan cats are in grave danger. The sinister ShadowClan grows stronger every day. Noble warriors are dying–and some deaths are more mysterious than others.
In the midst of this turmoil appears an ordinary housecat named Rusty… who may turn out to be the bravest warrior of them all.
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.
But what Starr does–or does not–say could upend her community. It could also endanger her life.
One touch is all it takes. One touch, and Juliette Ferrars can leave a fully grown man gasping for air. One touch, and she can kill.
No one knows why Juliette has such incredible power. It feels like a curse, a burden that one person alone could never bear. But The Reestablishment sees it as a gift, sees her as an opportunity. An opportunity for a deadly weapon.
Juliette has never fought for herself before. But when she’s reunited with the one person who ever cared about her, she finds a strength she never knew she had.
Brooklyn, 1998. Biggie Smalls was right: Things done changed. But that doesn’t mean that Quadir and Jarrell are cool letting their best friend Steph’s music lie forgotten under his bed after he’s murdered–not when his rhymes could turn any Bed Stuy corner into a party.
With the help of Steph’s younger sister Jasmine, they come up with a plan to promote Steph’s music under a new rap name: the Architect. Soon, everyone wants a piece of him. When his demo catches the attention of a hotheaded music label rep, the trio must prove Steph’s talent from beyond the grave.
As the pressure of keeping their secret grows, Quadir, Jarrell, and Jasmine are forced to confront the truth about what happened to Steph. Only, each has something to hide. And with everything riding on Steph’s fame, they need to decide what they stand for or lose all that they’ve worked so hard to hold on to–including each other.
Magnus Chase, a once-homeless teen, is on a death-defying quest across the Norse realms, literally. As a resident of the Hotel Valhalla, this son of the god Frey is now one of Odin’s chosen warriors. Magnus and his friends, Hearthstone the elf, Blitzen the dwarf, Samirah the Valkyrie, and other heroic characters must use all their wits and special talents in order to defeat fearsome giants, lethal creatures, and meddlesome gods in order stave off Ragnarok.
Can you love someone you can never touch?
Stella Grant likes to be in control–even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?
What if all the crushes you ever had found out how you felt about them.all at once? Sixteen-year-old Lara Jean Song keeps her love letters in a hatbox her mother gave her. They aren’t love letters that anyone else wrote for her; these are ones she’s written. One for every boy she’s ever loved-five in all. When she writes, she pours out her heart and soul and says all the things she would never say in real life, because her letters are for her eyes only. Until the day her secret letters are mailed, and suddenly, Lara Jean’s love life goes from imaginary to out of control.
How hard do you have to shake the family tree to find the truth about the past? Fifteen year-old Rae Kerrigan never really knew her family’s history. Her mother and father died when she was young and it is only when she accepts a scholarship to the prestigious Guilder Boarding School in England that a mysterious family secret is revealed. Will the sins of the father be the sins of the daughter? As Rae struggles with new friends, a new school and a star-struck forbidden love, she must also face the ultimate challenge: receive a tattoo on her sixteenth birthday with specific powers that may bind her to an unspeakable darkness. It’s up to Rae to undo the dark evil in her family’s past and have a ray of hope for her future.
In one moment it is over. In one moment it is gone. Twelve-year-old Hope’s life is turned upside down when her older sister, Lizzie, becomes an elective mute and is institutionalized after trying to kill herself. Hope and Lizzie have relied on each other from a young age, ever since their dad died. Their mother, who turns tricks to support her family, is a reluctant and unreliable parent—at best. During the course of this lyrical and heartbreaking narrative, told in blank verse from an exceptionally promising YA voice, readers will discover the chilling reason why Lizzie has stopped speaking—and why Hope is the only one who can bring the truth to light and save her sister.
One choice can transform you. Beatrice Prior’s society is divided into five factions–Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). Beatrice must choose between staying with her Abnegation family and transferring factions.
Her choice will shock her community and herself. But the newly christened Tris also has a secret, one she’s determined to keep hidden, because in this world, what makes you different makes you dangerous.
When snow shuts down Greg Heffley’s middle school, his neighborhood transforms into a wintry battlefield. Rival groups fight over territory, build massive snow forts, and stage epic snowball fights. And in the crosshairs are Greg and his trusty best friend, Rowley Jefferson.It’s a fight for survival as Greg and Rowley navigate alliances, betrayals, and warring gangs in a neighborhood meltdown. When the snow clears, will Greg and Rowley emerge as heroes? Or will they even survive to see another day?
Two teens must learn the “art of killing” in this Printz Honor-winning book, the first in a chilling new series from Neal Shusterman, author of the New York Times bestselling Unwind dystology.A world with no hunger, no disease, no war, no misery: humanity has conquered all those things, and has even conquered death. Now Scythes are the only ones who can end life–and they are commanded to do so, in order to keep the size of the population under control.
Citra and Rowan are chosen to apprentice to a scythe–a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.
Rowan and Citra take opposite stances on the morality of the Scythedom, putting them at odds, in the chilling sequel to the Printz Honor Book Scythe from New York Times bestseller Neal Shusterman, author of the Unwind dystology.
The Thunderhead cannot interfere in the affairs of the Scythedom. All it can do is observe–it does not like what it sees.
A year has passed since Rowan had gone off grid. Since then, he has become an urban legend, a vigilante snuffing out corrupt scythes in a trial by fire. His story is told in whispers across the continent.
As Scythe Anastasia, Citra gleans with compassion and openly challenges the ideals of the “new order.” But when her life is threatened and her methods questioned, it becomes clear that not everyone is open to the change.Will the Thunderhead intervene?Or will it simply watch as this perfect world begins to unravel?
When Ada’s clubfoot is surgically fixed at last, she knows for certain that she’s not what her mother said she was–damaged, deranged, crippled mentally as well as physically. She’s not a daughter anymore, either. Who is she now?World War II rages on, and Ada and her brother, Jamie, move with their guardian, Susan, into a cottage with the iron-faced Lady Thorton and her daughter, Maggie. Life in the crowded home is tense.
Then Ruth moves in. Ruth, a Jewish girl, from Germany. A German? Could Ruth be a spy?As the fallout from war intensifies, calamity creeps closer, and life during wartime grows even more complicated. Who will Ada decide to be? How can she keep fighting? And who will she struggle to save?
Twelve-year-old Shayla is allergic to trouble. All she wants to do is to follow the rules. (Oh, and she’d also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)
But in junior high, it’s like all the rules have changed. Now she’s suddenly questioning who her best friends are and some people at school are saying she’s not black enough. Wait, what?
Shay’s sister, Hana, is involved in Black Lives Matter, but Shay doesn’t think that’s for her. After experiencing a powerful protest, though, Shay decides some rules are worth breaking. She starts wearing an armband to school in support of the Black Lives movement. Soon everyone is taking sides. And she is given an ultimatum.
Shay is scared to do the wrong thing (and even more scared to do the right thing), but if she doesn’t face her fear, she’ll be forever tripping over the next hurdle. Now that’s trouble, for real.
What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic’s wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic’s highest military circles. Born into the slums, fifteen-year-old Day is the country’s most wanted criminal. But his motives may not be as malicious as they seem.From very different worlds, June and Day have no reason to cross paths – until the day June’s brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family’s survival, while June seeks to avenge Metias’s death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.
Lena has her killer style, her awesome boyfriend, and a plan. She knows she’s going to make it big. Campbell, on the other hand, is just trying to keep her head down and get through the year at her new school.
When both girls attend the Friday-night football game, what neither expects is for everything to descend into sudden mass chaos. Chaos born from violence and hate. Chaos that unexpectedly throws them together.
They aren’t friends. They hardly understand the other’s point of view. But none of that matters when the city is up in flames, and they only have each other to rely on if they’re going to survive the night.
For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf–her wolf–is a chilling presence she can’t seem to live without. Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human . . . until the cold makes him shift back again.Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It’s her wolf. It has to be. But as winter nears, Sam must fight to stay human–or risk losing himself, and Grace, forever.
At the dawn of the nineteenth century, two very different magicians emerge to change England’s history. In the year 1806, with the Napoleonic Wars raging on land and sea, most people believe magic to be long dead in England-until the reclusive Mr Norrell reveals his powers, and becomes a celebrity overnight.Soon, another practicing magician comes forth: the young, handsome, and daring Jonathan Strange. He becomes Norrell’s student, and they join forces in the war against France. But Strange is increasingly drawn to the wildest, most perilous forms of magic, straining his partnership with Norrell, and putting at risk everything else he holds dear.
After the tragic death of their father, Emily and Navin move with their mother to the home of her deceased great-grandfather, but the strange house proves to be dangerous. Before long, a sinister creature lures the kids’ mom through a door in the basement. Em and Navin, desperate not to lose her, follow her into an underground world inhabited by demons, robots, and talking animals. Eventually, they enlist the help of a small mechanical rabbit named Miskit. Together with Miskit, they face the most terrifying monster of all, and Em finally has the chance to save someone she loves.
They have always scared him in the past—the Rangers, with their dark cloaks and shadowy ways. The villagers believe the Rangers practice magic that makes them invisible to ordinary people. And now 15-year-old Will, always small for his age, has been chosen as a Ranger’s apprentice. What he doesn’t yet realize is that the Rangers are the protectors of the kingdom. Highly trained in the skills of battle and surveillance, they fight the battles before the battles reach the people. And as Will is about to learn, there is a large battle brewing. The exiled Morgarath, Lord of the Mountains of Rain and Night, is gathering his forces for an attack on the kingdom. This time, he will not be denied. . . .
Everyone in Fairview knows the story.Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town.But she can’t shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer?Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn’t want Pip digging around for answers, and now her own life might be in danger.
Thirteen-year-old Teddy Youngblood is in a coma fighting for his life after an unspecified football injury at training camp. His family and friends flock to his bedside to support his recovery–and to discuss the events leading up to the tragic accident. Was this an inevitable result of playing a violent sport, or was something more sinister happening on the field that day?
To twelve-year-old Molly Nathans, perfect is:
–The number four –The tip of a newly sharpened No. 2 pencil –A crisp white pad of paper –Her neatly aligned glass animal figurines
What’s not perfect is Molly’s mother leaving the family to take a faraway job with the promise to return in one year. Molly knows that promises are sometimes broken, so she hatches a plan to bring her mother home: Win the Lakeville Middle School Poetry Slam Contest. The winner is honored at a fancy banquet with white tablecloths. Molly is sure her mother would never miss that. Right…?
But as time passes, writing and reciting slam poetry become harder. Actually, everything becomes harder as new habits appear, and counting, cleaning, and organizing are not enough to keep Molly’s world from spinning out of control. In this fresh-voiced debut novel, one girl learns there is no such thing as perfect.
They killed my mother. They took our magic. They tried to bury us.
Now we rise.
Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls.
But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope.
Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.
Danger lurks in Orïsha, where snow leoponaires prowl and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to control her powers and her growing feelings for an enemy.
Ryn has one unread text message on her phone. And it’s been there for almost a year.She hasn’t tried to read it. She can’t. She won’t. Because that one message is the last thing her best friend ever said to her before she died.But as Ryn finds herself trapped in the Denver International Airport on New Year’s Eve thanks to a never-ending blizzard on the one-year anniversary of her best friend’s death, fate literally runs into her.And his name is Xander.When the two accidentally swap phones, Ryn and Xander are thrust into the chaos of an unforgettable all-night adventure, filled with charming and mysterious strangers, a secret New Year’s Eve bash, and a possible Illuminati conspiracy hidden within the Denver airport. But as the bizarre night continues, all Ryn can think about is that one unread text message. It follows her wherever she goes, because Ryn can’t get her brilliantly wild and free-spirited best friend out of her head.Ryn can’t move on.But tonight, for the first time ever, she’s trying. And maybe that’s a start.
Monday Charles is missing, and only Claudia seems to notice. Claudia and Monday have always been inseparable–more sisters than friends. So when Monday doesn’t turn up for the first day of school, Claudia’s worried.
When she doesn’t show for the second day, or second week, Claudia knows that something is wrong. Monday wouldn’t just leave her to endure tests and bullies alone. Not after last year’s rumors and not with her grades on the line. Now Claudia needs her best–and only–friend more than ever. But Monday’s mother refuses to give Claudia a straight answer, and Monday’s sister April is even less help.
As Claudia digs deeper into her friend’s disappearance, she discovers that no one seems to remember the last time they saw Monday. How can a teenage girl just vanish without anyone noticing that she’s gone?
Winning means fame and fortune. Losing means certain death. The Hunger Games have begun. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister’s place in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.
Raina wakes up one night with a terrible upset stomach. Her mom has one, too, so it’s probably just a bug. Raina eventually returns to school, where she’s dealing with the usual highs and lows: friends, not-friends, and classmates who think the school year is just one long gross-out session. It soon becomes clear that Raina’s tummy trouble isn’t going away… and it coincides with her worries about food, school, and changing friendships. What’s going on?
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive–and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first.But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills–and a relentless, dogged refusal to quit–he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?
The Garretts are everything the Reeds are not. Loud, numerous, messy, affectionate. And every day from her balcony perch, seventeen-year-old Samantha Reed wishes she was one of them . . . until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase’s family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself?
Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn’t she killed by the germ like all the females on New World? Propelled by Todd’s gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.
“Speak up for yourself–we want to know what you have to say.” From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson’s powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.
A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE
Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he?
As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator?
Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator.
Manor Farm is like any other English farm, expect for a drunken owner, Mr Jones, incompetent workers and oppressed animals. Fed up with the ignorance of their human masters, the animals rise up in rebellion and take over the farm. Led by intellectually superior pigs like Snowball and Napoleon, the animals how to take charge of their destiny and remove the inequities of their lives. But as time passes, the realize that things aren’t happening quite as expected. Animal Farmis, one level, a simple story about barnyard animals. On a much deeper level, it is a savage political satire on corrupted ideals, misdirected revolutions and class conflict-themes as valid today as they were sixty years ago.
Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker’s Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker’s Guide (“A towel is about the most massively useful thing an interstellar hitchhiker can have”) and a galaxy-full of fellow travelers: Zaphod Beeblebrox–the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod’s girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don’t forget to bring a towel!
Rose Howard is obsessed with homonyms. She’s thrilled that her own name is a homonym, and she purposely gave her dog Rain a name with two homonyms (Reign, Rein), which, according to Rose’s rules of homonyms, is very special. Not everyone understands Rose’s obsessions, her rules, and the other things that make her different–not her teachers, not other kids, and not her single father.
When a storm hits their rural town, rivers overflow, the roads are flooded, and Rain goes missing. Rose’s father shouldn’t have let Rain out. Now Rose has to find her dog, even if it means leaving her routines and safe places to search.
Other Books Heavily in Rotation this Year:
The two-time Newbery Honor winner Gary D. Schmidt delivers the shattering story of Joseph, a father at thirteen, who has never seen his daughter, Jupiter. After spending time in a juvenile facility, he’s placed with a foster family on a farm in rural Maine. Here Joseph, damaged and withdrawn, meets twelve-year-old Jack, who narrates the account of the troubled, passionate teen who wants to find his baby at any cost. In this riveting novel, two boys discover the true meaning of family and the sacrifices it requires.
My disease is as rare as it is famous. Basically, I’m allergic to the world.I don’t leave my house, have not left my house in seventeen years. The only people I ever see are my mom and my nurse, Carla.
But then one day, a moving truck arrives next door. I look out my window, and I see him. He’s tall, lean and wearing all black—black T-shirt, black jeans, black sneakers, and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly.
Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.
To everyone who knows him, West Ashby has always been that guy: the cocky, popular, way-too-handsome-for-his-own-good football god who led Lawton High to the state championships. But while West may be Big Man on Campus on the outside, on the inside he’s battling the grief that comes with watching his father slowly die of cancer.
Two years ago, Maggie Carleton’s life fell apart when her father murdered her mother. And after she told the police what happened, she stopped speaking and hasn’t spoken since. Even the move to Lawton, Alabama, couldn’t draw Maggie back out. So she stayed quiet, keeping her sorrow and her fractured heart hidden away.
As West’s pain becomes too much to handle, he knows he needs to talk to someone about his father—so in the dark shadows of a post-game party, he opens up to the one girl who he knows won’t tell anyone else.
West expected that talking about his dad would bring some relief, or at least a flood of emotions he couldn’t control. But he never expected the quiet new girl to reply, to reveal a pain even deeper than his own—or for them to form a connection so strong that he couldn’t ever let her go…
For the millions who log in every day, Warcross isn’t just a game—it’s a way of life. The obsession started ten years ago and its fan base now spans the globe, some eager to escape from reality and others hoping to make a profit. Struggling to make ends meet, teenage hacker Emika Chen works as a bounty hunter, tracking down Warcross players who bet on the game illegally. But the bounty-hunting world is a competitive one, and survival has not been easy. To make some quick cash, Emika takes a risk and hacks into the opening game of the international Warcross Championships—only to accidentally glitch herself into the action and become an overnight sensation.
Convinced she’s going to be arrested, Emika is shocked when instead she gets a call from the game’s creator, the elusive young billionaire Hideo Tanaka, with an irresistible offer. He needs a spy on the inside of this year’s tournament in order to uncover a security problem . . . and he wants Emika for the job. With no time to lose, Emika’s whisked off to Tokyo and thrust into a world of fame and fortune that she’s only dreamed of. But soon her investigation uncovers a sinister plot, with major consequences for the entire Warcross empire.
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.
But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.
With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.
Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.
Emily Lonergan’s best friend died last year.
And Emily hasn’t stopped grieving. Lizzie Porter was lively, loud, and fun — Emily’s better half. Emily can’t accept that she’s gone.
When Lizzie’s parents and her sister come back to town to visit, Emily’s heartened to see them. The Porters understand her pain. They miss Lizzie desperately, too.
Desperately enough to do something crazy.
Suddenly, Emily’s life is hurtling toward a very dark place — and she’s not sure she’ll ever be able to return to what she once knew was real.
Justyce McAllister is a good kid, an honor student, and always there to help a friend—but none of that matters to the police officer who just put him in handcuffs. Despite leaving his rough neighborhood behind, he can’t escape the scorn of his former peers or the ridicule of his new classmates.
Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.
Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it’s Justyce who is under attack.
“With a bolt of lightning on my kicks . . .The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. Cuz tonight I’m delivering,” announces dread-locked, 12-year old Josh Bell. He and his twin brother Jordan are awesome on the court. But Josh has more than basketball in his blood, he’s got mad beats, too, that tell his family’s story in verse, in this fast and furious middle grade novel of family and brotherhood from Kwame Alexander.
Josh and Jordan must come to grips with growing up on and off the court to realize breaking the rules comes at a terrible price, as their story’s heart-stopping climax proves a game-changer for the entire family.
If you are wondering where I will be in the coming year or would like to have me speak, please see this page. I offer up workshops and presentations both live and virtually that are based on the work I do with my own students as we pursue engaging, personalized, and independent learning opportunities.I also write more about the design of my classroom and how to give control of their learning back to students in my first book, Passionate Learners.